Movie |
Satire | Theft
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An uncompromising insight at how we treat one another and how consequences, other people, and art impact our decisions. Some hilarious situations. Both the spoof and the social critique are quite direct and apparent. This film may believe it is delving deeper than it is. It is, nevertheless, entertaining to see. Wealthy individuals are either apathetic or condescending to impoverished people. Marketing and public relations professionals are inflated, unaware d-bags, while affluent art patrons are vain and waste their funds on purchases, they don't understand in order to comply to their class traditions and look more sophisticated and intriguing. Well, we knew all of that before this film was produced, and it adds nothing fresh to these observations and issues. Several sequences make no sense, yet this is too entertaining in too many situations to disregard. I laughed out loud numerous times due to the witty banter and absurdist antics.
European Director | 2017 | Ruben
European Actor | 2017 | Claes
European Screenwriter | 2017 | Ruben
European Film | 2017 | Ruben
European Comedy | 2017 | Ruben
European Production Designer | 2017 | Josefin
Best European Film (Najlepszy Film Europejski) | 2018 | Ruben
Most Original Foreign Trailer | 2018
Best Foreign Comedy Trailer | 2018
Best Foreign TV Spot | 2018
Best Foreign Language Film | 2018
Best Cinematography (Bästa foto) | 2018 | Fredrik
Best Direction (Bästa regi) | 2018 | Ruben
Best Foreign Language Film | 2017
Best Non-American Film (Årets ikke-amerikanske film) | 2018 | Ruben
Best European Film (Miglior Film dell'Unione Europea) | 2018 | Ruben
Best Foreign Language Film | 2018
2017 | Ruben
Best Screenplay | 2017 | Ruben
Best Foreign Language Film | 2018
Best Foreign Film | 2018
Best Foreign Film | 2017
Top Five Foreign Language Films | 2017
Foreign Film (Ausländischer Film) | 2017 | Ruben
Best Foreign Language Film | 2017
2017 | Josefin
Best Foreign Language Film | 2017
Best Actor | 2017 | Claes
Comedy Features | 2017 | Ruben
Best Foreign Language Film | 2017
Best European Film (Mejor Película Europea) | 2018 | Ruben
Best Non-American Film (Bedste ikke-amerikanske film) | 2018 | Ruben
Best Foreign Language Film of the Year | 2018
Best Motion Picture - Foreign Language | 2018
Best Foreign Language Film | 2018
Best Foreign-Language Film (Melhor Filme Estrangeiro) | 2019 | Ruben
Best Actor (Bästa manliga huvudroll) | 2018 | Claes
Best Screenplay (Bästa manuskript) | 2018 | Ruben
Best Set Design (Bästa scenografi) | 2018 | Josefin
Best Film (Bästa film) | 2018 | Philippe
Best Actor (Årets danske skuespiller) | 2018 | Claes
Best Non-English Language Film | 2018 | Ruben
Best Film | 2018 | Ruben
Best Foreign Language Film | 2018
Best Foreign Language Film | 2018 | Ruben
Best Motion Picture, International Film | 2018
Best International Film | 2018
Best Foreign Language Film | 2018
Best Foreign Language Film | 2018
Best Foreign Language Film | 2018
Best Foreign Film (Meilleur film étranger) | 2018
Foreign Language Film of the Year | 2018
Foreign Language Film | 2018 | Ruben
Best Foreign Language Film of the Year | 2018
Best of Fest - Best Film | 2017 | Ruben
Best Foreign Language Film | 2017
Best Screenplay | 2017 | Ruben
Best Foreign Language Film | 2017
Best Foreign Film | 2017
Best Film | 2017 | Ruben
Best Foreign Language Film | 2017
Best Foreign Language Film | 2017
Best Feature | 2017 | Ruben
Zabaltegi-Tabakalera Prize | 2017 | Ruben
Best Foreign Language Picture | 2017
Best Foreign Language Film | 2017
Best Foreign Language Film | 2017
Best Foreign Language Film | 2017
Best Foreign Language Film | 2017
Best International Independent Film | 2017
Best Foreign Language Film | 2017
Best Foreign Film | 2017
Best Foreign Language Film | 2017
2017 | Ruben
Best Foreign Language Film | 2017
Best Foreign Language Film | 2017
Box Office Collection 9,494,535 USD
The crowd Oleg was taunting in the dinner scene, throwing water over and pushing around, were in fact drawn from the actual ranks of Sweden's 1 percent, including some of the country's wealthiest art patrons ("They were so into it," Terry Notary said).
Terry Notary portrays the ape-man "Oleg" in the film. The Russian artist Oleg Kulik was invited to the international group exhibition "Interpol" at Färgfabriken, Stockholm, Sweden. At the opening, the vernissage, Kulik performed like a dog. He glittered, jumped up, rolled and even bit the VIP crowd on their legs. Kulik said he acted as a representative of the browbeaten Russian people, who now attacked and bit back. The crowd became so scared and enraged that they called for the police. In this movie, there is a similar, charged and offensive scene, but here the performance artist acts like an ape.
The voice warns that the animal is trained to sense weakness and fear, so the best defense is to stay very still and hope for the misfortune of others. "It's about the bystander effect. The reason we don't have the ability to take responsibility in situations like that is because we are herd animals and we get scared, and when we get scared we get paralyzed. And we're thinking, don't take me, don't take me, take someone else." said Ruben Östlund.
The ape that appears in the film is a full grown female bonobo.
"I never want to have any in-between scenes that are only there to tell the plot. If I have these scenes I think I've failed a little bit as a director." Ruben Östlund explained that his mission is to make movies full of interesting, stand-alone scenes that highlight human behavior.
"Christian: The Square is a sanctuary of trust and caring. Within it we all share equal rights and obligations."
"Christian: If you place an object in a museum does that make this object a piece of art?"
