The Trip

The Trip

Movie |

Restaurant | Northern England

  • :
  • Genre(s): Comedy, Drama
  • Language(s): English
  • Director(s): Michael Winterbottom
  • Cast(s): Steve Coogan, Rob Brydon, Claire Keelan, Margo Stilley, Paul Popplewell See all Cast & Crew
  • Duration: 1h 47min
  • Award(s): Golden Trailer 2012 (Nominated) Awards List
  • Similar To: Outcome, Jay Kelly
  • Story:
    When Steve Coogan is asked by The Observer to tour the country's finest restaurants, he envisions it as the perfect getaway with his beautiful girlfriend. But, when she backs out on him, he has no one to accompany him but his best friend and source of eternal aggravation, Rob Brydon.
    Full Story
7/10
IMDb

The Trip - Where to Stream?

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Videos: Trailers, Teasers, Featurettes

The Trip - Cast

The Trip - Crew

The Trip - IMAGE GALLERY

STORY AND RATINGS

Story
When Steve Coogan is asked by The Observer to tour the country's finest restaurants, he envisions it as the perfect getaway with his beautiful girlfriend. But, when she backs out on him, he has no one to accompany him but his best friend and source of eternal aggravation, Rob Brydon.
Ratings

7/10

IMDb

AWARDS

Nominations
Golden Trailer Award

Best Comedy Poster | 2012

Best Independent Poster | 2012

BOX OFFICE

Box Office Collection 951,179 USD

TRIVIA AND POPULAR DIALOGUES

Trivia

There is no credited writer. Majority of the film is improvised.

The two Michael Caine lines that Steve Coogan and Rob Brydon repeat again and again - "you were only supposed to blow the bloody doors off!" and "she was only 15" - are from The Italian Job (1969) and Get Carter (1971) respectively... and actually she was "only 16".

Early in the film, the car stereo plays "Atmosphere" by Joy Division, which Steve Coogan explains he has chosen as the "soundtrack" for their trip, Though neither the song title nor the band are mentioned, in 24 Hour Party People (2002), Coogan played Tony Wilson, the producer who signed Joy Division to his Factory Records label.

Popular Dialogues

"Rob: You could have a costume drama here, couldn't you? Steve: I would love-I'd absolutely-I'd just love to do a costume drama in these hills, leaping, vaulting over dry stone walls with a scabbard, with that dead look in my eyes, 'cause I've seen so many horrors that I'm sort of immune to them, and I'd say something like, "Gentlemen, to bed! Gentlemen, to bed, for we leave at first light. Tomorrow we battle, and we may lose our lives. But remember: death is but a moment. Cowardice is a lifetime affliction." Rob: Nice. Steve: To bed, for we rise at daybreak! Rob: Very good. Very impressive. Steve: But they always, they always leave at daybreak. They never leave at, you know, nine-thirty. "Gentlemen to bed, for we leave at nine-thirty!" Rob: Ish. Steve: Ish. "Gentlemen to bed, for we rise at... What time is the battle? About, oh, twelve o'clock? Twelve o'clock. How is it on horseback, about three hours? So we leave about eight, eight-thirty?" Rob: Eight-thirty for nine. Steve: "Gentlemen, to bed! For we leave at eight-thirty for nine. And we rise at just after daybreak. Seven-thirty, so just after daybreak. Gentlemen to bed, for we leave at nine-thirty on the dot. On the dot." Rob: Do you want to have a run, sire, in the morning? Just to loosen up, sire. Steve: Yes. Rob: Another thing they never say is, "Right! Well! We'd better make a move. I want to get back in daylight. We'd better make a move." Steve: To bed! Tomorrow we ride! We leave at ten-ish."

"Rob: You know, when someone dies, and they go to the funeral, and they say, you know, "We should have done this when he was *alive*! He would have *loved* this!" Steve: Hmmm, what, cremated him?"