Movie |
Oklahoma | Montmartre
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Best Cinematography International Competition For | 2014 | Emmanuel
Best Cinematography International Competition | 2014 | Emmanuel
Best Trailer International Competition | 2014
Best Cinematography | 2013 | Emmanuel
Best Cinematography | 2013 | Emmanuel
2012 | Terrence
2012 | Terrence
Best Editing International Competition | 2014 | Christopher
Best Original Music International Competition | 2014 | Hanan
Best Poster International Competition | 2014
Best Cinematography | 2014 | Emmanuel
Best Cinematography | 2013 | Emmanuel
Worst Film | 2013
Box Office Collection 587,615 USD
Olga Kurylenko, familiar with Terrence Malick's tendency to cut entire characters out of his movies completely, made him promise that he would keep her in the film.
Roger Ebert's review of this film was the last review he submitted before his death. It was published posthumously.
There was no script that was used during filming. Terrence Malick would give the actors pages of thoughts and independent lines every morning and he would ask them to play the emotions without speaking, just with their body.
Terrence Malick is following his semi-autobiographical turn in The Tree of Life with another film based on his own life experiences. Malick, like Ben Affleck's character of "Neil," had a romance with a woman in France in the 80s named Michèle Morette (like Kurylenko's character of "Marina"), married her in 1985, and then moved back to Texas with her. They divorced in 1998, however, and Malick reconnected with Alexandra "Ecky" Wallace, a former high school sweetheart (like McAdams' "Jane") from his days at St. Stephen's school in Austin, Texas.
Tatiana is the only character referred to by name on-screen, all other characters' names are revealed only at the end credits.
"Father Quintana: We wish to live inside the safety of the laws. We fear to choose. Jesus insists on choice. The one thing he condemns utterly is avoiding the choice. To choose is to commit yourself. And to commit yourself is to run the risk, is to run the risk of failure, the risk of sin, the risk of betrayal. But Jesus can deal with all of those. Forgiveness he never denies us. The man who makes a mistake can repent. But the man who hesitates, who does nothing, who buries his talent in the earth, with him he can do nothing."
"Anna: Life's a dream. In dream you can't make mistakes. In dream you can be whatever you want."
