Movie |
Ireland | Love Triangle
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BritishIrish Actress of the Year For | 2016 | Saoirse
BritishIrish Actress of the Year | 2016 | Saoirse
Best Actress | 2016 | Saoirse
Best Casting | 2016 | Fiona
2016 | Saoirse
2016 | Saoirse
Best Actress in a Motion Picture | 2016 | Saoirse
Best Actress | 2015 | Saoirse
Best Actress | 2015 | Saoirse
Narrative Feature | 2015 | John
Best Actress | 2015 | Saoirse
Best Irish Film | 2015
Seal of Approval Recommended | 2015
2015 | Emory
2015 | Saoirse
Best Art Direction | 2015 | Robert
Best Production Design | 2015 | François
Best Actress | 2015 | Saoirse
Top Films of the Year | 2015
Best Production Design | 2015 | François
Best Actress | 2015 | Saoirse
2016 | Finola
Achievement in Cinematography | 2016
Achievement in Music Original Score | 2016 | Michael
Best Film | 2016
Best Foreign Romance Trailer | 2016
Best Supporting Actor | 2016 | Emory
Best Actress in a Lead Role Film | 2016 | Saoirse
Best Actress in a Supporting Role Film | 2016 | Jane
Best Art Direction Meilleure Direction Artistique | 2016 | François
Best Cinematography Meilleure Direction de la Photographie | 2016
Best Performance by an Actress in a Leading Role | 2016 | Saoirse
Best Writing Adapted Screenplay | 2016 | Nick
Best Motion Picture of the Year | 2016 | Finola
Best Performance by an Actress in a Motion Picture Drama | 2016 | Saoirse
Best Adapted Screenplay | 2016 | Nick
Best Leading Actress | 2016 | Saoirse
Best Costume Design | 2016 | Odile
Best Makeup and Hair | 2016 | Lorraine
Best Supporting Actress | 2016 | Julie
Best Supporting Actor | 2016 | Domhnall
Best Actress | 2016 | Saoirse
Best Supporting Actress | 2016 | Julie
Best Actress International Competition | 2017 | Saoirse
Best Foreign Language Film | 2017 | John
Outstanding Performance by a Female Actor in a Leading Role | 2016 | Saoirse
Best Lead Actress | 2016 | Saoirse
Best Motion Picture | 2016 | Amanda
Outstanding Achievement in Casting Studio or Independent Feature Drama | 2016
Best Actress | 2016 | Saoirse
Actor of the Year For and | 2016
Best Adapted Screenplay | 2016 | Nick
Actor of the Year | 2016 | Domhnall
Best Actress | 2016 | Saoirse
Best Supporting Actor | 2016 | Emory
Best Adapted Screenplay | 2016 | Nick
Best Production Design | 2016 | François
Excellence in Period Film | 2016 | Odile
Best Picture | 2016
Best Actress | 2016 | Saoirse
Best Adapted Screenplay | 2016 | Nick
Best Art Direction | 2016 | Louise
Best Costume Design | 2016 | Odile
Best Actress | 2016 | Saoirse
Best Adapted Screenplay | 2016 | Nick
Best Film | 2015
Best Director | 2015 | John
Breakthrough Artist | 2015 | Emory
Best Screenplay | 2015 | Nick
Best Picture | 2016
Best Actress | 2016 | Saoirse
Best Adapted Screenplay | 2016 | Nick
Best Production Design | 2016 | Robert
Lead Actress | 2016 | Saoirse
Motion Picture | 2016 | Amanda
Adapted Screenplay | 2016 | Nick
Costume Design | 2016 | Odile
Best Period andor Character Makeup FeatureLength Motion Picture | 2016 | Marlène
Best Period andor Character Hair Styling FeatureLength Motion Picture | 2016 | Michelle
Outstanding Color Grading Feature Film | 2016 | Asa
Best Actress | 2016 | Saoirse
Best Actress | 2016 | Saoirse
Best Picture | 2016
Best Director | 2016 | John
Best Adapted Screenplay | 2016 | Nick
Best Costume Design | 2016 | Odile
Best Ensemble Cast | 2016
Best Actor in a Supporting Role Film | 2016 | Domhnall
Best Film | 2016
Best Director Film | 2016 | John
Best Visual Effects | 2016
Best Makeup Hair FilmTV Drama | 2016
BritishIrish Film of the Year | 2016
Actress of the Year | 2016 | Saoirse
Screenwriter of the Year | 2016 | Nick
Most Inspiring Movie | 2016
Best Actress | 2016 | Saoirse
Best Adapted Screenplay | 2016 | Nick
Best Lead Actress | 2016 | Saoirse
Best Film | 2016
Best Picture | 2016
Best Actress | 2016 | Saoirse
Best Breakthrough Performance Male | 2016 | Emory
Best Ensemble | 2016
Best Writing Screenplay Based on Material from Another Medium | 2016 | Nick
Best Production Design | 2016 | Louise
Best Costume Design | 2016 | Odile
Best Movie Poster | 2016
Outstanding Producer of Theatrical Motion Pictures | 2016 | Amanda
Best Motion Picture | 2016
Best Picture | 2016
Best Actress | 2016 | Saoirse
Best Screenplay Adapted | 2016 | Nick
Best Costume Design | 2016 | Odile
Film | 2016 | Colm
Best Actress | 2015 | Saoirse
Best Motion Picture | 2015 | Amanda
Best Actress in a Leading Role | 2015 | Saoirse
Best Adapted Screenplay | 2015 | Nick
Best Production Design | 2015 | François
Best Costume Design | 2015 | Odile
Best Film | 2015
Best Actress | 2015 | Saoirse
Best Screenplay | 2015 | Nick
Best Supporting Actor | 2015 | Domhnall
Best Supporting Actress | 2015 | Julie
Outstanding Achievement in Craft | 2015 | Fiona
Main Competition | 2015
Best Actress | 2015 | Saoirse
Best Adapted Screenplay | 2015 | Nick
Best Art DirectionProduction Design | 2015
Best Actress | 2015 | Saoirse
Best Adapted Screenplay | 2015 | Nick
Best Art DirectionProduction Design | 2015
Best Film | 2015
Best Director | 2015 | John
Best Lead Actress | 2015 | Saoirse
Best Supporting Actor | 2015 | Emory
Best Screenplay | 2015 | Nick
Best Cinematography | 2015
Best Actress | 2015 | Saoirse
Best Actress | 2015 | Saoirse
Best Actress | 2015 | Saoirse
Best Picture | 2015
Best Actress in a Leading Role | 2015 | Saoirse
Best Actress in a Supporting Role | 2015 | Julie
Best Screenplay Adapted from Other Material | 2015 | Nick
Best Production Design | 2015 | François
Best Picture | 2015
Best Director | 2015 | John
Best Actress | 2015 | Saoirse
Best Adapted Screenplay | 2015 | Nick
Best Cinematography | 2015
Breakthrough Artist | 2015 | Emory
Best Actress | 2015 | Saoirse
Best Adapted Screenplay | 2015 | Nick
Best Art Direction | 2015 | François
Best Actress | 2015 | Saoirse
Best Film | 2015
Best Adapted Screenplay | 2015 | Nick
Best Production Design | 2015 | Louise
Best Cinematography | 2015
Best Original Score | 2015 | Michael
Best Young Actress | 2015 | Saoirse
Outstanding Actress Feature Film | 2015 | Saoirse
Budget 11,000,000 USD
Box Office Collection 62,076,141 USD
The city of Brooklyn, New York in this movie was actually shot in Montreal, Québec for budgeting reasons, as the production was unable to turn 2015 Brooklyn back into 1950s Brooklyn. Only two days of production were spent in Brooklyn, one in order to create the brownstone exterior shots, and a second to film at Coney Island.
Director John Crowley divided this movie into three different visual movements. The first movement is before Eilis Lacey leaves post-war Ireland and is with tight frames and filled with green tones. The color scheme was created by photographic reference of the time. The second movement begins when Eilis leaves for Brooklyn and the first proper wide shot is featured, while the colors become more playful as a nod to how America in 1952 was, on the cusp of pop culture kicking off. The third movement is back in Ireland, brighter, more glamorous and "subtly more colorful" than the first movement. Crowley wanted to showcase Eilis has changed and looks very different: "There is a slight dreamy quality to that last third", he said.
Saoirse Ronan was getting a manicure in Dublin, Ireland when she discovered that she had received a Golden Globe nomination for her performance in this movie. In her rush of excitement, she bought champagne for everyone in the salon.
Rooney Mara was originally cast in the lead role. However, her eventual replacement, Saoirse Ronan, was a frontrunner for the part since this movie began development, but she was too young to portray Eilis. The production was stalled for years, Mara backed out and when the project was ready to resume, Ronan had aged properly to fit the character and won the part.
Irish author Colm Tóibín's idea for the novel came from a child memory, in which he overheard a woman talk about her young daughter's move from Enniscorthy to Brooklyn. In 2000, he wrote a short story about this memory, but expanded it to a novel years later, after living in the United States, as well as teaching literary courses, where he said he was inspired by Jane Austen's "method of examining a single psychology, using an introspective, sensitive heroine, some comic characters and some romance."
"[last lines] Eilis: [instructing new immigrant] You have to think like an American. You'll feel so homesick that you'll want to die, and there's nothing you can do about it apart from endure it. But you will, and it won't kill you. And one day the sun will come out - you might not even notice straight away, it'll be that faint. And then you'll catch yourself thinking about something or someone who has no connection with the past. Someone who's only yours. And you'll realize... that this is where your life is."
"Eilis: You remember that after I had dinner at your house, you told me that you loved me? [Tony nods, sombre and nervous] Eilis: Well, I didn't really know what to say. But I know what to say now. I have thought about you and I like you, and I like seeing you, and maybe I feel the same way. So the next time you tell me you love me, if there is a next time, I'll, I'll say I love you too. Tony: Are you serious? Eilis: Yes. Tony: Holy shit! Excuse my language, but I thought we were going to have a different kind of talk. You mean it? Eilis: I mean it."
