Movie |
Marvel Cinematic Universe (mcu) | Aftercreditsstinger
Predominantly set during World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
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Predominantly set during World War II, Steve Rogers is a sickly man from Brooklyn who's transformed into super-soldier Captain America to aid in the war effort. Rogers must stop the Red Skull – Adolf Hitler's ruthless head of weaponry, and the leader of an organization that intends to use a mysterious device of untold powers for world domination.
Best Superhero | 2011 | Chris Evans
Film Music | 2012 | Alan Silvestri
Outstanding Compositing in a Feature Motion Picture | 2012 | Casey Allen
Choice Movie Fight | 2012 | Hugo Weaving
Choice Summer Movie Star Male | 2011 | Chris Evans
Best Hero | 2012 | Chris Evans
Best Science Fiction Actor | 2011 | Chris Evans
Breakout Performance Female | 2011 | Hayley Atwell
Best Science Fiction Actress | 2011 | Hayley Atwell
Best Supporting Actor | 2011 | Tommy Lee Jones
Best Villain | 2011 | Hugo Weaving
Best Actor | 2012 | Chris Evans
Best Supporting Actor | 2012 | Stanley Tucci
Best Music | 2012 | Alan Silvestri
Best Special Effects | 2012 | Mark G. Soper
Best Costumes | 2012 | Anna B. Sheppard
Best Production Design | 2012 | Rick Heinrichs
Best Dramatic Presentation Long Form | 2012 | Christopher Markus
Best Original Score for an ActionAdventureThriller Film | 2012 | Alan Silvestri
Film Music Composition of the Year | 2012 | Alan Silvestri
Fantasy Film | 2012 | Denise Ball
Best Original Song | 2011 | Alan Menken
Best Music Original Song | 2012 | Alan Menken
Best Original Song | 2011 | Alan Menken
Best Original Song | 2012 | Alan Menken
Best Original Song | 2012 | Alan Menken
Best Music Supervision for Film Budgeted Over 20 Million Dollars | 2012 | Dave Jordan
Best Music Supervision for Film Budgeted Over Million Dollars For and | 2012 | Dave Jordan
Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture | 2012 | Mark G. Soper
Best Visual Effects | 2011 | Mark G. Soper
Feature Film | 2011 | Des Whelan
Budget 140,000,000 USD
Box Office Collection 370,569,774 USD
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(at around 37 mins) Hayley Atwell (Peggy Carter) surprisingly touching Chris Evans' chest, as he emerged from the pod upon turning into Captain America, was very much improvised, and the surprise on her face is genuine, as she admitted in interviews she was very taken by Chris' physique and nearly broke character and ruined the take that made it into the film as a result.
Most of the shots were done by a Los Angeles company called LOLA, that specializes in digital "plastic surgery". The technique involved shrinking Chris Evans in all dimensions. They shot each "skinny Steve" scene at least four times. Once like a normal scene with Evans and his fellow actors and actresses in the scene, once with Evans alone in front of a greenscreen, so his element could be reduced digitally, again with everyone in the scene but with Evans absent, so that the shrunken Steve could be re-inserted into the scene, and finally, with a body double mimicking Evans' actions in case the second technique was required. When Evans had to interact with other characters in the scene, they had to either lower him or raise the other actors and actresses on apple boxes, or elevated walkways to make "skinny Steve" shorter in comparison. For close-ups, Evans' fellow actors and actresses had to look at marks on his chin that represented where his eyes would be after the shrinking process, and Evans had to look at marks on the tops of the actor's head to represent their eyes. The second technique involved grafting Evans' head onto the body double. This technique was used mostly when Evans was sitting or lying down, or when a minimum of physical acting was required.
Originally, cameo appearances were planned in the film for James "Logan" Howlett (Wolverine) and Erik Lehnsherr (Magneto), who were present during World War II (Logan was a soldier and Lehnsherr was in an internment camp). These cameos were scrapped due to rights issues. Marvel Studios now owns the rights of the X-Men characters, a result of the Disney-Fox merger of 2019.
Chris Evans declined the role three times before accepting the part. Not out of dislike for the role, but because he feared what the effects of the sudden increase of fame would be on his private life. Then Robert Downey Jr. convinced him to take the part, and thus gain the freedom to sign on any other role he'd want afterwards. After that, he had a meeting with director Joe Johnston and the producers, who convinced him to take the role.
Stanley Tucci took the role of Dr. Erskine because the role enabled him to use a German accent, which he always wanted to do.
