Movie |
Eroticism | Skateboarding
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Best Supporting Actor | 2006 | Jackie Earle
Top Films of the Year | 2006
Best Picture | 2006
Best Supporting Actor | 2006 | Jackie Earle
Best Adapted Screenplay | 2006 | Tom
Best Supporting Actor | 2006 | Jackie Earle
Best Supporting Actor | 2006 | Jackie Earle
Breakthrough Performance Male | 2006 | Patrick
Best Supporting Actor | 2007 | Jackie Earle
Best Supporting Actor | 2007 | Jackie Earle
Best Supporting Actor | 2007 | Jackie Earle
Best Drama by or About Women | 2006 | Todd
Best Depiction of Nudity or Sexuality | 2006
Best Supporting Actor | 2006 | Jackie Earle
Best Supporting Actor | 2006 | Jackie Earle
Best Supporting Actor | 2007 | Jackie Earle
Best Performance by an Actress in a Leading Role | 2007 | Kate
Best Performance by an Actor in a Supporting Role | 2007 | Jackie Earle
Best Writing Adapted Screenplay | 2007 | Tom
Best Motion Picture Drama | 2007
Best Performance by an Actress in a Motion Picture Drama | 2007 | Kate
Best Screenplay Motion Picture | 2007 | Tom
Best Actress in a Leading Role | 2007 | Kate
Best Casting | 2007 | Belinda
Best Actress | 2007 | Kate
Best Writing Screenplay Based on Material from Another Medium | 2007 | Tom
Supporting Actor of the Decade | 2010 | Jackie Earle
Lead Actress | 2007 | Kate
Adapted Screenplay | 2007 | Tom
Supporting Actor | 2007 | Jackie Earle
Outstanding Performance by a Female Actor in a Leading Role | 2007 | Kate
Outstanding Performance by a Male Actor in a Supporting Role | 2007 | Jackie Earle
Best Film | 2007
Best Adapted Screenplay | 2007
Best Actress | 2007 | Kate
British Actress of the Year | 2007 | Kate
Best Supporting Actor | 2007 | Jackie Earle
Best Overall DVD | 2007
Best Actress in a Motion Picture Drama | 2006 | Kate
Best Actor in a Motion Picture Drama | 2006 | Patrick
Best Motion Picture Drama | 2006
Best Screenplay Adapted | 2006 | Tom
Best Foreign Film | 2007
Best Adapted Screenplay | 2007 | Tom
Best Actress in a Leading Role | 2006 | Kate
Best Adapted Screenplay | 2006 | Tom
Best Actor in a Supporting Role | 2006 | Jackie Earle
Best Cast Ensemble | 2006 | Gregg
2006 | Todd
Best Actress | 2006 | Kate
Best Actress of the Year | 2006 | Kate
Best Trailer of the Year | 2006
Best TA of the Year | 2006 | Kate
Best Feature | 2006 | Ron
Best Supporting Performance | 2006 | Jackie Earle
2006 | Todd
Best Picture | 2006
Best Actress | 2006 | Kate
Most Original Innovative or Creative Film | 2006
Best Screenplay | 2006 | Todd
Budget 26,000,000 USD
Box Office Collection 14,821,658 USD
After accepting the role of Sarah, Kate Winslet suggested Patrick Wilson for Brad.
A sequence where Brad mentally compares Sarah to Kathy he describes Kathy as tall and Sarah as short. In reality Jennifer Connelly is only half an inch taller than Kate Winslet.
Kate Winslet was so impressed by In the Bedroom (2001) that she was determined to work with Todd Field. She said the movie made her feel very uneasy, and was intrigued by the director responsible for that.
When the shot pans over Sarah's books, they include John Updike's "Couples," also about married couples in adulterous affairs in the suburbs.
Kate Winslet was left with a bruised bottom after filming her sex scene in a sink. The scene took place in a laundry room and was far from sexy. The actress reveals, "We both had little coverings on the pieces that we didn't want people to see. We spent the most time saying to each other, 'You know, I think your little plastic covering may be coming off a little. Let's get them to put some glue on there.' "We rehearsed the scene fully clothed, without anyone in the room; just us and (director) Todd (Field), and we just got a general shape of the scene so we knew what to expect. "We did look out for each other and we laughed a hell of a lot. It sounds ridiculous but at a certain point you forget that you're naked with a relative stranger. It's really weird. "My hips and backside really hurt the next day. They put some pad across the front of the seat and I was sitting on something slightly cushioned. It's all so ridiculous this crazy job we do for a living".
"Sarah Pierce: I think I understand your feelings about this book. I used to have some problems with it, myself. When I read it in grad school, Madam Bovary just seemed like a fool. She marries the wrong man; makes one foolish mistake after another; but when I read it this time, I just fell in love with her. She's trapped! She has a choice: she can either accept a life of misery or she can struggle against it. And she chooses to struggle. Mary Ann: Some struggle. Hop into bed with every guy who says hello. Sarah Pierce: She fails in the end, but there's something beautiful and even heroic in her rebellion. My professors would kill me for even thinking this, but in her own strange way, Emma Bovary is a feminist. Mary Ann: Oh, that's nice. So now cheating on your husband makes you a feminist? Sarah Pierce: No, no, it's not the cheating. It's the hunger. The hunger for an alternative, and the refusal to accept a life of unhappiness. Mary Ann: Maybe I didn't understand the book!"
"May McGorvey: You're a miracle, Ronnie. We're all miracles. Know why? Because as humans, every day we go about our business, and all that time we know... we all know... that the things we love... the people we love, at any time now can all be taken away. We live knowing that and we keep going anyway. Animals don't do that."
