Movie |
Regret | Farewell
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Best Performance by an Actor in a Supporting Role in a Motion Picture | 2000 | Tom
Outstanding Male Performance | 2001
Best Male Dubbing Migliore Doppiaggio Maschile | 2000
Best Supporting Actor | 2000 | Tom
Best Supporting Actress | 2000 | Julianne
Best Ensemble | 2000
Best Music Adapted Song | 2000 | Harry
Top Ten Films of the Year | 2000
2000 | Paul Thomas
Outstanding Motion Picture Ensemble | 2000
Best Supporting Actor | 2000 | Philip Seymour
Best Movie | 2000
Best Supporting Actor For | 2000
Best Supporting Actor For | 1999
Best Supporting Actress For and | 1999
Best Acting by an Ensemble | 1999 | Rod
Top Ten Films | 1999
Best Supporting Actor | 1999 | Philip Seymour
Best Supporting Actress | 1999 | Julianne
Best Picture | 1999
Best Director | 1999 | Paul Thomas
Best Screenplay | 1999 | Paul Thomas
2000 | Paul Thomas
Favorite Supporting Actor Drama | 2000 | Tom
Best Supporting Actor | 2000 | Tom
Best Foreign Film Bsta utlndska film | 2001 | Paul Thomas
Best Actor in a Supporting Role | 2000 | Tom
Best Writing Screenplay Written Directly for the Screen | 2000 | Paul Thomas
Best Music Original Song | 2000 | Aimee
Best Original Song Motion Picture | 2000 | Aimee
Best Compilation Soundtrack Album for a Motion Picture Television or other Visual Media | 2001 | Aimee
Best Score Soundtrack Album for a Motion Picture Television or Other Visual Media | 2001 | Jon
Best Song Written for a Motion Picture Television or Other Visual Media | 2001
Screenwriter of the Year | 2001 | Paul Thomas
Best American Film Bedste amerikanske film | 2001 | Paul Thomas
Best Foreign Film Melhor Filme Estrangeiro | 2001 | Paul Thomas
Best American Film rets amerikanske film | 2001 | Paul Thomas
Best DVD | 2001
Best Supporting Actress | 2000 | Julianne
Best Ensemble | 2000
Best Original Screenplay | 2000 | Paul Thomas
Outstanding Performance by a Male Actor in a Supporting Role | 2000 | Tom
Outstanding Performance by a Female Actor in a Supporting Role | 2000 | Julianne
Outstanding Performance by a Cast in a Theatrical Motion Picture | 2000 | Melora
Favorite Supporting Actress Drama | 2000 | Julianne
Best Picture | 2000
Best Director | 2000 | Paul Thomas
Best Screenplay | 2000 | Paul Thomas
Best Picture | 2000
Best Picture | 2000
Best Overall Dubbing | 2000
Best Foreign Director Regista del Miglior Film Straniero | 2000 | Paul Thomas
Best Supporting Actor For | 2000
Best Supporting Actress For and | 2000
Best Supporting Actor | 2000 | Philip Seymour
Best Supporting Actress | 2000 | Julianne
Best Picture | 2000 | JoAnne
Best Youth Performance | 2000 | Jeremy
Best Casting | 2000 | Cassandra
Best Director | 2000 | Paul Thomas
Best Writing Screenplay Written Directly for the Screen | 2000 | Paul Thomas
Best Music Original Song | 2000 | Aimee
Best Cinematic Moment | 2000
Best Performance by an Actor in a Supporting Role Drama | 2000 | Tom
Best Motion Picture Drama | 2000
Best Director | 2000 | Paul Thomas
Best Screenplay Original | 2000 | Paul Thomas
Best Original Song | 2000
Best Foreign Film | 2000
Best Screenplay Written Directly for the Screen | 2000 | Paul Thomas
Best Performance in a Feature Film Leading Young Actor | 2000 | Jeremy
Best Motion Picture | 1999 | JoAnne
Best Director | 1999 | Paul Thomas
Best Actress in a Supporting Role | 1999 | Julianne
Best Original Screenplay | 1999 | Paul Thomas
Best Cinematography | 1999 | Robert
Best Film Editing | 1999 | Dylan
Worst OnScreen Male Hairstyle | 1999 | Tom
Best Film | 1999
Budget 37,000,000 USD
Box Office Collection 48,451,803 USD
When Paul Thomas Anderson approached George C. Scott about playing the role of Earl Partridge, Scott threw the script across the room, saying "This is the worst fucking thing I've ever read. The language is terrible."
Claudia was the first character created, and the other characters were branched off from her.
Jason Robards' last feature film.
The story about the man being killed by a gunshot while falling off a building has for years been used as a hypothetical case in criminal law classes to illustrate causation.
Paul Thomas Anderson wrote the bulk of the script during two weeks he spent at William H. Macy's Vermont cabin - afraid to go outside because he'd seen a snake.
"Jimmy Gator: The book says, "We might be through with the past, but the past ain't through with us.""
"Earl Partridge: I loved her so. And she knew what I did. She knew all the fucking stupid things I'd done. But the love... was stronger than anything you can think of. The goddamn regret. The goddamn regret! Oh, and I'll die. Now I'll die, and I'll tell you what... the biggest regret of my life... I let my love go. What did I do? I'm sixty-five years old. And I'm ashamed. A million years ago... the fucking regret and guilt, these things, don't ever let anyone ever say to you you shouldn't regret anything. Don't do that. Don't! You regret what you fucking want! Use that. Use that. Use that regret for anything, any way you want. You can use it, OK? Oh, God. This is a long way to go with no punch. A little moral story, I say... Love. Love. Love. This fucking life... oh, it's so fucking hard. So long. Life ain't short, it's long. It's long, goddamn it. Goddamn. What did I do? What did I do? What did I do? What did I do? Phil. Phil, help me. What did I do?"
