Movie |
Criminal | Los Angeles Airport (lax)
Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.
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Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.
Best Cinematography | 2005 | Paul Cameron
Breakthrough Actor For | 2004 | Jamie Foxx
Breakthrough Actor | 2004 | Jamie Foxx
Best Supporting Actor | 2004 | Jamie Foxx
Best Supporting Actor | 2005 | Jamie Foxx
Director of the Year | 2004 | Michael Mann
2004 | Michael Mann
Best Director | 2004 | Michael Mann
Top Box Office Films | 2005 | Antonio Pinto
Cinematography | 2005 | Paul Cameron
Best Cinematography | 2005 | Paul Cameron
Best Cinematography | 2005 | Paul Cameron
Best Cinematography | 2004 | Paul Cameron
Location Professional of the Year Features | 2004 | Janice Polley
Best Film Editing | 2005 | Jim Miller
Best Sound Editing Mixing | 2005 | Myron Nettinga
Best Performance by an Actor in a Supporting Role | 2005 | Jamie Foxx
Best Achievement in Film Editing | 2005 | Jim Miller
Best Performance by an Actor in a Supporting Role in a Motion Picture | 2005 | Jamie Foxx
Best Performance by an Actor in a Supporting Role | 2005 | Jamie Foxx
Best Screenplay Original | 2005 | Stuart Beattie
Best Editing | 2005 | Jim Miller
Best Sound | 2005 | Myron Nettinga
Best Actor of the Year | 2004 | Tom Cruise
Best Supporting Actor of the Year | 2004 | Jamie Foxx
Best Director of the Year | 2004 | Michael Mann
Best Screenplay of the Year | 2004 | Stuart Beattie
Best Actor | 2005 | Tom Cruise
Best Director | 2005 | Michael Mann
Best Writer | 2005 | Stuart Beattie
Best Actor Miglior attore protagonista | 2005 | Tom Cruise
Best Director Miglior regia | 2005 | Michael Mann
Best Cinematography Miglior fotografia | 2005 | Paul Cameron
Best Editing Miglior montaggio | 2005 | Jim Miller
Sexiest Actor Acteur le plus sexy | 2005 | Tom Cruise
Best Actor | 2005 | Tom Cruise
Best Film Editing | 2005 | Jim Miller
Best Sound Editing | 2005 | Elliott Koretz
Best Sound Mixing | 2005 | Myron Nettinga
Choice Movie Actor Drama | 2005 | Tom Cruise
Choice Movie Bad Guy | 2005 | Tom Cruise
Best Villain | 2005 | Tom Cruise
Best Actor | 2005 | Tom Cruise
Best Supporting Actor | 2005 | Jamie Foxx
Outstanding Supporting Actor in a Motion Picture | 2005 | Jamie Foxx
Outstanding Supporting Actress in a Motion Picture | 2005 | Jada Pinkett Smith
Best Actor in a Supporting Role Drama | 2005 | Jamie Foxx
Best Screenplay Original | 2005 | Stuart Beattie
Best Visual Effects | 2005 | John E. Sullivan
Best Supporting Actor | 2005 | Jamie Foxx
Best Actor in a Supporting Role | 2004 | Jamie Foxx
Best Original Screenplay | 2004 | Stuart Beattie
Best Cinematography | 2004 | Paul Cameron
Best Film Editing | 2004 | Jim Miller
Outstanding Performance by a Male Actor in a Supporting Role | 2005 | Jamie Foxx
Best Supporting Actress | 2005 | Jada Pinkett Smith
Best Director | 2005 | Michael Mann
Best Director | 2005 | Michael Mann
Best Cinematography | 2005 | Paul Cameron
Best Sound Effects Editing | 2005 | Elliott Koretz
Best Film Editing | 2005 | Jim Miller
Best Sound Mixing | 2005 | Myron Nettinga
2005 | Michael Mann
Best Sound Editing in Domestic Features Sound Effects Foley | 2005 | Steve Nelson
Best Sound Editing in Domestic Features Dialogue ADR | 2005 | Elliott Koretz
Best Overall Stunt by a Stunt Man | 2005 | Jalil Jay Lynch
Best Motion Picture Screenplay | 2005 | Stuart Beattie
Best Cinematography | 2004 | Paul Cameron
Outstanding Achievement in Cinematography in Theatrical Releases | 2005 | Paul Cameron
Best Cinematography | 2005 | Paul Cameron
Contemporary Film | 2005 | Daniel T. Dorrance
Best Edited Feature Film Dramatic | 2005 | Jim Miller
Budget 65,000,000 USD
Box Office Collection 220,239,925 USD
Apple Music
Wynk
According to Michael Mann, Vincent is a man able to get in and out of anywhere without anyone recognizing or remembering him. To prepare for the movie, Tom Cruise had to make FedEx deliveries in a crowded Los Angeles market without anyone recognizing him.
Tom Cruise really fell when he stepped on the office chair. Michael Mann liked the anomaly so much that he left it in the film.
Australian screenwriter Stuart Beattie was only seventeen when he took a cab home from the Sydney airport. It was on that ride that he had the idea of a homicidal maniac sitting in the back of a cab, with the driver nonchalantly entering into conversation with him, trusting his passenger implicitly. Beattie drafted his idea into a two-page treatment. Later, when he was enrolled at Oregon State University, he fleshed it out into his first screenplay. Titled "The Last Domino", he put the script away, taking it out occasionally for revisions and re-writes over the following years.
Tom Cruise's tactical draw is so good in a scene from Collateral that it's used by experts in lessons for handgun training.
The seating of the two leads was crucial to certain scenes. For their more intimate exchanges, Tom Cruise would sit directly behind Jamie Foxx, out of his peripheral vision, making him more vulnerable and uncertain of his opponent.
"Vincent: Look in the mirror. Paper towels, clean cab. Limo company some day. How much you got saved? Max: That ain't any of your business. Vincent: Someday? Someday my dream will come? One night you will wake up and discover it never happened. It's all turned around on you. It never will. Suddenly you are old. Didn't happen, and it never will, because you were never going to do it anyway. You'll push it into memory and then zone out in your barco lounger, being hypnotized by daytime TV for the rest of your life. Don't you talk to me about murder. All it ever took was a down payment on a Lincoln town car. That girl,you can't even call that girl. What the fuck are you still doing driving a cab?"
"Vincent: Get with it. Millions of galaxies of hundreds of millions of stars, in a speck on one in a blink. That's us, lost in space. The cop, you, me... Who notices?"
