Movie |
Lost Civilisation | Based On Novel Or Book
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Best Production Design | 2017 | Jean-Vincent
Best Adapted Screenplay | 2017 | James
Best Supporting Actor | 2017 | Robert
Best Cinematography | 2017 | Darius
Best Picture Not Released in | 2017
Best Film | 2016 | James
For and | 2017 | James
Young BritishIrish Performer of the Year For | 2018
Young BritishIrish Performer of the Year | 2018 | Tom
Technical Achievement of the Year | 2018 | Darius
Film | 2018 | James
Best Adapted Screenplay | 2018 | James
Outstanding Achievement in Sound Editing Music Score for Feature Film | 2018 | Katherine Gordon
Best Picture | 2018
Best Original Score | 2018
Best Cinematography | 2018 | Darius
Best Director | 2018 | James
Best Adapted Screenplay | 2018 | James
Best Supporting Actress | 2018 | Sienna
2017 | James
Best Adapted Screenplay | 2017 | James
Best Cinematography | 2017 | Darius
Best Costume Design | 2017 | Sonia
Best Adapted Screenplay | 2017 | James
Best Screenplay | 2017 | James
Best Picture | 2017
Best Actor | 2017 | Charlie
Best Supporting Actor | 2017 | Angus
Best Supporting Actress | 2017 | Sienna
Best Film Editing | 2017
Best Original Score | 2017
Best Makeup and Hairstyling | 2017
Grand Prize for the Best Literary Adaptation | 2017 | James
Most Anticipated of | 2016
Budget 30,000,000 USD
Box Office Collection 8,574,339 USD
Director James Gray wrote to Francis Ford Coppola, who directed Apocalypse Now (1979), asking for advice about shooting in the jungle. Coppola's two-word reply was "Don't go." When Coppola decided to make Apocalypse Now, he received the same advice from Roger Corman.
While filming in the jungle, Hunnam remembers a particularly nerve-wracking encounter one Saturday night following an exhausting six-day shooting week. "I was staying in this little shack on this hill and woke up at three in the morning to this ungodly noise, like there was a pneumatic drill in my ear. An insect had burrowed into my ear and hit my eardrum so it couldn't go any further. It was a long beetle with wings. When it couldn't get back out, it kept trying to burrow further in and flapping its wings. That's what woke me up."
If shooting on 35mm film made perfect sense aesthetically, it posed significant logistical challenges in the middle of the Colombian jungle. "It was an act of absolute hubris to shoot this picture on film," says Gray, who set up an elaborate routine in order to ship, process and review the film during production. "First, we had to teach a young guy from Bogota how to load the film, because nobody really knows how to do that anymore," Gray recalls. "Then, every day after we finished our shoot, they'd put this film into a torn-up crappy cardboard box and load it onto a single-engine crop duster that would take off from this little runway." After a series of plane changes, the film canisters eventually made their way to London. "You're talking three flights every day just to get your film processed," Gray says. "The next morning, there was always this sense of dread when the satellite phone rang and you'd be thinking: 'I really hope the film arrived.'"
Holland went swimming with the largest predators in the Amazon basin - inadvertently. "I got in the river one day with the local kids and had the best day ever, but I didn't realize the water was filled with black caimans, which are like giant alligators," he says. "The next day we were filming on the boat when I saw this big crocodile-looking thing in the river. Apparently they are very docile and don't really attack people, but to me this thing looked as mean as could be."
When it came to filming in the jungle, "It felt pretty sketchy at times," admits Pattinson. "There were enormous spiders and snakes everywhere. And giant, gorgeous, bright blue frogs that will kill you. We were worried about Arbor Vipers that drop from trees and bite you in the face. After someone in the crew got bitten in the neck by a snake, they asked me and Charlie to go into virgin jungle with blunt machetes, and all the Colombians were telling us, 'There's a reason you don't go off the path. The animals will leave you alone until you start smashing the jungle.'"
"Nina Fawcett: To dream to seek the unknown. To look for what is beautiful is its own reward. A man's reach should exceed his grasp, or what's a heaven for?"
"Sir George Goldie: Terrible disease, murderous savages. The journey may well mean your life. But you could reclaim your family name."
