Movie |
Road Trip | Prison
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Best Film | 1975 | Steven
Best Comedy Written Directly for the Screen | 1975 | Steven
Budget 3,000,000 USD
Box Office Collection 12,800,000 USD
This is the first movie to feature a tracking shot (front seat to back) and a 360-degree pan with dialogue from within a car.
Panavision chose this movie for the launch of Panaflex, a compact camera that enabled Steven Spielberg to shoot complex shots inside a patrol car.
One major challenge facing Steven Spielberg was bringing together the acting styles of Goldie Hawn and William Atherton. The stage-trained Atherton got better with each successive take, but Hawn did her best work on the first two. She did, however, get a second wind if the scene went to 12 takes or more. Spielberg found it best to start with her close-ups. Then he would film Atherton's close-ups until Hawn started to rebound, at which point he could get two shots when they were both at their best.
Thinking he needed to give Steven Spielberg a chance to get his feet wet on his first feature, Richard D. Zanuck instructed the production manager to start the film with relatively simple shots. He also decided to get to the location late that morning so that Spielberg could establish control of the set. When he arrived, however, he discovered the director had set up one of the film's most complicated shots, which he pulled off just fine.
Unable to find a child who looked like he could be the offspring of Goldie Hawn and William Atherton, co-producer Richard D. Zanuck cast his own son, Harrison Zanuck.
"Clovis Poplin: We're in real trouble. Clovis Poplin: Say, I didn't mean what I said. Maxwell Slide: What was that? Clovis Poplin: When I called you a son of a bitch, I didn't mean it Maxwell Slide: And you ain't no mental subject neither."
"Maxwell Slide: Is your name Buster Daniels? Drunk: Well, it was before I married."
