Movie |
God | Oscar's Best Picture Winner
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8.4/10
IMDb89%
Rotten TomatoesBest Sound | 1985 | Mark
Best Costume Design | 1985 | Theodor
Best Actor in a Leading Role | 1985 | F. Murray
Best Director | 1985 | Miloš
Best Makeup | 1985 | Paul
Best Picture | 1985 | Saul
Best Art DirectionSet Decoration | 1985 | Patrizia von
Best Writing Screenplay Based on Material from Another Medium | 1985 | Peter
Best Motion Picture Drama | 1985
Best Performance by an Actor in a Motion Picture Drama | 1985 | F. Murray
Best Director Motion Picture | 1985 | Miloš
Best Screenplay Motion Picture | 1985 | Peter
Best Make Up Artist | 1986 | Dick
Best Sound | 1986 | Mark
Best Editing | 1986 | Nena
Best Cinematography | 1986 | Miroslav
Motion Picture | 2000
Best Foreign Language Film | 1986
Best Foreign Film rets udenlandske spillefilm | 1985 | Miloš
Best Foreign Film Miglior Film Straniero | 1985 | Miloš
Best Foreign Director Migliore Regista Straniero | 1985 | Miloš
Best Foreign Actor Migliore Attore Straniero | 1985 | Tom
Outstanding Directorial Achievement in Motion Pictures | 1985 | Michael
Best Edited Feature Film | 1985 | Nena
1985
Best Foreign Feature Film rets utenlandske spillefilm | 1985 | Miloš
Best Actor | 1984 | F. Murray
Best Screenplay | 1984 | Peter
Best Director | 1984 | Miloš
Best Actor | 1984 | F. Murray
Best Picture | 1984
Best Artistic Contribution | 1985
Best Director | 1985 | Miloš
Best Film | 1985
Best Foreign Actor Migliore Attore Straniero | 1985 | Tom
Best Foreign Director Regista del Miglior Film Straniero | 1985 | Miloš
National Film Preservation Board | 2019
Best Foreign Film | 1988
Foreign Film Auslndischer Film | 1986 | Miloš
Best Foreign Language Film | 1986 | Miloš
Best Foreign Filmmaker | 1985 | Miloš
Best Foreign Film Meilleur film tranger | 1985 | Miloš
Best Casting for Feature Film | 1985 | Mary
Best Film Editing | 1985 | Nena
Best Cinematography | 1985 | Miroslav
Best Actor in a Leading Role | 1985 | Tom
Best Performance by an Actor in a Motion Picture Drama | 1985 | Tom
Best Performance by an Actor in a Supporting Role in a Motion Picture | 1985 | Jeffrey
Best Screenplay Adapted | 1986 | Peter
Best Costume Design | 1986 | Theodor
Best Film | 1986 | Miloš
Best Actor | 1986 | F. Murray
Best Production Design | 1986 | Patrizia von
Best Audio Commentary Library Release | 2003 | Peter
Original Retrospective Documentary Library Release | 2003 | Charles
1985 | Miroslav
Best Music | 1984 | Wolfgang Amadeus
Best Film | 1984 | Miloš
Budget 18,000,000 USD
Box Office Collection 90,007,557 USD
The film ironically helped spark a revival of Salieri's music, which had previously languished in obscurity.
When shooting the scene in which Salieri is writing down the death mass under Mozart's dictation, Tom Hulce was deliberately skipping lines to confuse F. Murray Abraham, in order to achieve the impression that Salieri wasn't able to fully understand the music being dictated.
Several professors of music stated, after studying all of the musical keys struck on pianos throughout the film, that not one key is struck incorrectly when compared to what is heard at the exact same moment. In other words, what you see is exactly what you hear.
The performance of "Don Giovanni" in the movie was filmed on the same stage where the opera first appeared.
Milos Forman insisted that his lead actors retain their American accents so that they could concentrate on their characters and performance instead.
"Antonio Salieri: [reflecting upon a Mozart score] On the page it looked nothing. The beginning simple, almost comic. Just a pulse. Bassoons and basset horns, like a rusty squeezebox. And then suddenly, high above it, an oboe. A single note, hanging there, unwavering. Until a clarinet took over and sweetened it into a phrase of such delight! This was no composition by a performing monkey! This was a music I'd never heard. Filled with such longing, such unfulfillable longing, it had me trembling. It seemed to me that I was hearing the voice of God."
"Antonio Salieri: All I wanted was to sing to God. He gave me that longing... and then made me mute. Why? Tell me that. If He didn't want me to praise him with music, why implant the desire? Like a lust in my body! And then deny me the talent?"