The Name of the Rose

The Name of the Rose

Movie |

Labyrinth | Christianity

  • :
  • Genre(s): Drama, Thriller, Mystery
  • Language(s): English
  • Director(s): Jean-Jacques Annaud
  • Cast(s): F. Murray Abraham, Christian Slater, Helmut Qualtinger, Elya Baskin, Michael Lonsdale See all Cast & Crew
  • Duration: 2h 10min
  • Music: James Horner,Frank Jahn,Norbert Herzner
  • Award(s): BAFTA Film 1988 (Won)
    SIYAD 1987 (Nominated) Awards List
  • Similar To: Arrival, Mulholland Drive
  • Story:
    14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence – which is considerable.
    Full Story
7.7/10
IMDb

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The Name Of The Rose - Cast

The Name Of The Rose - Crew

The Name of the Rose - IMAGE GALLERY

STORY AND RATINGS

Story
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence – which is considerable.
Ratings

7.7/10

IMDb

AWARDS

Show more
Won
BAFTA Film Award

Best Actor | 1988 | Sean

Best Make Up Artist | 1988 | Hasso von

Bavarian Film Award

Best Production Produzentenpreis | 1987 | Bernd

David Award

Best Costume Design (Migliore Costumista) | 1987 | Gabriella

Best Production Design (Migliore Scenografo) | 1987 | Dante

Best Cinematography (Migliore Fotografia) | 1987 | Tonino Delli

Best Producer (Migliore Produttore) | 1987 | Bernd

Best Producer Migliore Produttore | 1987 | Franco

Film in Silver Award

Outstanding Feature Film (Bester Spielfilm) | 1987

Silver Ribbon Award

Best Production Design (Migliore Scenografia) | 1987 | Dante

Best Costume Design (Migliori Costumi) | 1987 | Gabriella

Best Cinematography Migliore Fotografia | 1987 | Tonino Delli

Film in Gold Award

Best Performance by an Actor in a Leading Role Beste darstellerische Leistung Mnnliche Hauptrolle | 1987 | Sean

René Clair Award

1987 | Jean-Jacques

César Award

Best Foreign Film Meilleur film tranger | 1987 | Jean-Jacques

Jupiter Award

Best International Actor | 1986 | Sean

Best International Film | 1986 | Jean-Jacques

Nominations
SIYAD Award

Best Foreign Film | 1987

Silver Ribbon Award

Best Producer Migliore Produttore | 1987 | Franco

Best Foreign Actor (Migliore Attore Straniero) | 1987 | Sean

Edgar Award

Best Motion Picture | 1987 | Alain

Film in Gold Award

Outstanding Feature Film (Bester Spielfilm) | 1987

David Award

Best Editing Migliore Montatore | 1987 | Jane

BOX OFFICE

Budget 18,000,000 USD

Box Office Collection 77,200,000 USD

TRIVIA AND POPULAR DIALOGUES

Trivia

Sean Connery's career was at such a low point when he read for the role that Columbia Pictures refused to finance the movie when Jean-Jacques Annaud cast him as William von Baskerville.

According to Ron Perlman, director Jean-Jacques Annaud had purposely not written a lot of the movie's dialogue, in order to more easily secure funding. When they started filming however, he wanted Perlman to talk in all his scenes. Since Salvatore was described as a character who speaks "six languages at once" (among them Latin, Italian, German, English, and French), Perlman got copies of the book in all of those languages. He then composed mixed-language sentences by combining words from Salvatore's sentences from each book.

In his interview and director's commentary on the DVD, Jean-Jacques Annaud said that after 15-year-old Christian Slater was cast as Adso of Melk, he was asked to read with three actresses auditioning for the role of "The Girl". He read with Valentina Vargas first and was scheduled to read with the other two actresses the next day. That evening, Slater sent his mother, casting agent Mary Jo Slater, to tell Annaud that he was so smitten with 22-year-old Vargas that he didn't want the other two women to be considered.

William von Baskerville is amazed when he discovers a book by "Umberto of Bologna", a reference to Umberto Eco, who teaches at the University of Bologna, and is the author of the book on which this movie was based.

Robert De Niro auditioned for the role of William, but Jean-Jacques Annaud changed his mind, because De Niro wanted to have a sword duel between William and Bernardo Gui.

Popular Dialogues

"Adso of Melk: Master? Have you ever been in love? William of Baskerville: In love? Yeah, many times. Adso of Melk: You were? William of Baskerville: Yes, of course. Aristotle, Ovid, Vergil... Adso of Melk: No, no, no. I meant with a... William of Baskerville: Oh. Ah. Are you not confusing love with lust? Adso of Melk: Am I? I don't know. I want only her own good. I want her to be happy. I want to save her from her poverty. William of Baskerville: Oh, dear. Adso of Melk: Why "oh dear"? William of Baskerville: You *are* in love. Adso of Melk: Is that bad? William of Baskerville: For a monk, it does present certain problems. Adso of Melk: But doesn't St. Thomas Aquinas praise love above all other virtues? William of Baskerville: Yes, the love of God, Adso. The love of God. Adso of Melk: Oh... And the love of woman? William of Baskerville: Of woman? Thomas Aquinas knew precious little, but the scriptures are very clear. Proverbs warns us, "Woman takes possession of a man's precious soul", while Ecclesiastes tells us, "More bitter than death is woman". Adso of Melk: Yes, but what do you think, Master? William of Baskerville: Well, of course I don't have the benefit of your experience, but I find it difficult to convince myself that God would have introduced such a foul being into creation without endowing her with *some* virtures. Hmm? How peaceful life would be without love, Adso, how safe, how tranquil, and how dull."

"William of Baskerville: But what is so alarming about laughter? Jorge de Burgos: Laughter kills fear, and without fear there can be no faith, because without fear of the Devil there is no more need of God."