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Adultery | Horse Race
Trapped in a loveless marriage, aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.
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Trapped in a loveless marriage, aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.
Best Achievement in Costume Design | 2013 | Jacqueline Durran
Best Costume Design | 2013 | Jacqueline Durran
European Production Designer | 2013 | Sarah Greenwood
Best Lead Actress | 2014 | Keira Knightley
2012 | Domhnall Gleeson
Best Supporting Actor Film | 2013 | Domhnall Gleeson
Best Director of Photography | 2013 | Seamus McGarvey
Excellence in Period Film | 2013 | Jacqueline Durran
Best Costume Design | 2013 | Jacqueline Durran
Best Production Design | 2013 | Thomas E. Brown
Best Costume Design | 2013 | Jacqueline Durran
Best Art Direction | 2013 | Katie Spencer
Best Costume Design | 2012 | Jacqueline Durran
Best Technical Achievement | 2013 | Sarah Greenwood
Best Costume Design | 2012 | Jacqueline Durran
Best Costume Design | 2013 | Jacqueline Durran
Best Production Design | 2013 | Sarah Greenwood
Best Costume Design | 2012 | Jacqueline Durran
Costume Design | 2013 | Jacqueline Durran
Production Design | 2013 | Sarah Greenwood
Period Film | 2013 | Remo Tozzi
Best Art DirectionProduction Design | 2012 | Tom Still
Best Cinematography in a Feature Film | 2013 | Seamus McGarvey
Best Cinematography in a Theatrical Feature Film | 2012 | Seamus McGarvey
Best Original Score | 2013 | Dario Marianelli
Production Designer of the Year | 2012 | Sarah Greenwood
Best Makeup in Fiction | 2014 | Giancarlo Del Brocco
Best Achievement in Cinematography | 2013 | Seamus McGarvey
Best Achievement in Music Written for Motion Pictures Original Score | 2013 | Dario Marianelli
Best Achievement in Production Design | 2013 | Katie Spencer
Best Original Score Motion Picture | 2013 | Dario Marianelli
Best Cinematography | 2013 | Seamus McGarvey
Best Production Design | 2013 | Katie Spencer
European Actress | 2013 | Keira Knightley
European Actor | 2013 | Jude Law
European Screenwriter | 2013 | Tom Stoppard
Best Female Newcomer | 2013 | Alicia Vikander
Best Male Newcomer | 2013 | Domhnall Gleeson
Best Actress in a Motion Picture | 2012 | Keira Knightley
Best Costume Design | 2012 | Jacqueline Durran
Best Screenplay Adapted | 2012 | Tom Stoppard
Best Art Direction Production Design | 2012 | Tom Still
Best Cinematography | 2012 | Seamus McGarvey
Best Actress International Competition | 2013 | Keira Knightley
Best Depiction of Nudity Sexuality or Seduction | 2013 | Aaron Taylor-Johnson
Worst British Supporting Actor | 2012 | Aaron Taylor-Johnson
Worst British Supporting Actor For and | 2012 | Aaron Taylor-Johnson
Special Prize for the Best European Film (Premio speciale al miglior film europeo) | 2013 | Joe Wright
Best Original Score Miglior colonna sonora | 2013 | Dario Marianelli
Best European Film Miglior Film dellUnione Europea | 2013 | Joe Wright
2013 | Joe Wright
Best Costumes | 2013 | Jacqueline Durran
Best Music | 2013 | Dario Marianelli
Best Production Design | 2013 | Katie Spencer
Technical Achievement of the Year | 2013 | Jacqueline Durran
MakeupHair | 2013 | Ivana Primorac
Outstanding Achievement in Cinematography in Feature Film | 2013 | Seamus McGarvey
Best Cinematography | 2013 | Seamus McGarvey
Best Original Score | 2013 | Dario Marianelli
Best Original Film Score of the Year | 2013 | Dario Marianelli
Best Original Score for a Drama Film | 2013 | Dario Marianelli
2013 | Dario Marianelli
Best Production Design | 2012 | Sarah Greenwood
Best Production Design | 2013 | Sarah Greenwood
Best Art Direction | 2012 | Katie Spencer
Best Production Design | 2013 | Sarah Greenwood
Best Production Design | 2013 | Sarah Greenwood
Best Production Design | 2012 | Katie Spencer
Best Production Design | 2012 | Sarah Greenwood
Box Office Collection 68,929,150 USD
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One of Alicia Vikander's favorite experiences from the production was the filming that took place in the countryside outside of St. Petersburg, Russia. The temperatures dropped below -40 °C, and she stayed in a cabin for five days that didn't have hot water and only featured benches instead of beds. Meanwhile, Russian security guards protected her and co-star 'Domhnall Gleeson' from wild wolves and bears that dominated the deserted area.
Some modern audience members have been confused by the object that Karenin (Jude Law) takes out of a small, oblong box in his and Anna's bedroom several times during the movie. This is a condom; for most of the history of contraception, condoms were made of animal- or plant-based materials (such as chemical-treated linen or sheep intestines or bladders), and they were not disposable (being rather expensive, they were often washed and reused). The first vulcanized rubber condoms were produced in the mid-1800s, but they were thick and unwieldy, so it is not unlikely that someone of Karenin's wealth and societal stature would still be using a reusable condom by the time of the setting of this story.
Joe Wright briefly considered having the actors use Russian accents but later decided against it, fearing it would be hard for him to assess their performances.
Inspired by Orlando Figes's 2002 production of Natasha's Dance, Joe Wright adopted an experimental approach to convey the essence of the story. The majority of the film was shot on a "run-down" theater built from scratch in Shepperton. Locations such as a skating rink, train station and stables were dressed on top of the theater. To create fluid linearity, doors open onto Russian landscapes; some actors walk from one set to another under the stage. For cutaway wide exterior shots, toy trains and doll houses were used. The only main cast member who is allowed to venture out of the theater is Domhnall Gleeson (Levin) because Wright wanted to amplify the fact that Levin is the only authentic character in the group.
The soundtrack for several of the country scenes makes use of a Russian folk song that was also adapted (but without the words) by Tchaikovsky in his Fourth Symphony, written in the same period as Tolstoy's novel.
"Count Vronsky: I love you! Anna Karenina: Why? Count Vronsky: You can't ask Why about love!"
"Anna Karenina: If you have any thought for me you will give me back my peace! Count Vronsky: There can be no peace for us, only misery, and the greatest happiness."
