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Exotic Island | Dna
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Best Effects Visual Effects | 1994 | Michael Lantieri
Best Effects Sound Effects Editing | 1994 | Gary Rydstrom
Best Sound | 1994 | Shawn Murphy
Best Special Effects | 1994 | Michael Lantieri
Best Achievement in Directing | 1993 | Steven Spielberg
Best Original Score | 1993 | John Williams
Best Film Editing | 1993 | Michael Kahn
Best Sound | 1993 | Gary Summers
Best Foreign Language Film Nejleps zahranicn film | 1994 | Steven Spielberg
Best International Film | 1993 | Steven Spielberg
Best International Director | 1993 | Steven Spielberg
Best Foreign Language Film | 1994 | Steven Spielberg
Best Director | 1994 | Steven Spielberg
Best Special Effects | 1994 | Michael Lantieri
Best Writing | 1994 | David Koepp
Worst Foreign Director | 1994 | Steven Spielberg
Best Dramatic Presentation | 1994 | David Koepp
Best Supporting Actor | 1993 | Jeff Goldblum
Best Youth Actress Leading Role in a Motion Picture Drama | 1994 | Ariana Richards
Best Youth Actor CoStarring in a Motion Picture Drama | 1994 | Joseph Mazzello
Film International | 1993 | Joseph Mazzello
1994 | John Williams
Score | 2021 | John Williams
Most Oscars won for visual effects | 1994 | Dennis Muren
Most Oscars won for visual effects For and | 1994 | Dennis Muren
Best Sound | 1994 | Shawn Murphy
Best Instrumental Composition Written for a Motion Picture or for Television | 1994 | John Williams
Best Supporting Actor | 1994 | Wayne Knight
Best Actress | 1994 | Laura Dern
Best Performance by a Younger Actor | 1994 | Joseph Mazzello
Best Music | 1994 | John Williams
Best Costumes | 1994 | Sue Moore
Best Actress in a Supporting Role | 1993 | Laura Dern
Best Cinematography | 1993 | Dean Cundey
Best Adapted Screenplay | 1993 | David Koepp
Best Production Design | 1993 | Rick Carter
Best Motion Picture | 1993 | Kathleen Kennedy
Other Media | 1994 | David Koepp
Best Edition of an Existing Score For | 2016 | John Williams
Best Edition of an Existing Score | 2016 | John Williams
Best Art Direction | 2014 | Rick Carter
Outstanding Achievement in Sound Mixing for Feature Films | 1994 | Shawn Murphy
Budget 63,000,000 USD
Box Office Collection 920,100,000 USD
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According to the behind-the-scenes book The Making of Jurassic Park: An Adventure 65 million Years in the Making, the infamous roar of The Tyrannosaurus' were a composite mix of a dog, penguin, tiger's snarl, alligators gurgle, and a baby elephants squeal . The very deep alligator vocals acted as the low-frequency element of the final roar. However, as Gary Rydstrom stresses, the key part of the sound is the high-frequency element: the baby elephant. Rydstrom describes how, during the recording session, the baby elephant only did the iconic "cute high-pitched scream" that forms the basis of every T. rex roar in the film once. "We kept trying to get it to do it again, and the handlers were saying, 'We never heard it do that before; that's a weird sound.'" As Rydstrom stresses, the introduction of the T. rex is a scene expressly planned around sound design. "I think maybe other directors would have had a shock moment where you see the T. rex show up out of the blue Spielberg was great in the T. rex scene by getting several minutes of tension because you knew what was coming. And you knew it because you heard it before you saw it it's nice when movies think about sound that way."
This movie and the book generated so much interest in dinosaurs that the study of paleontology has had a record increase in students.
The T. Rex occasionally malfunctioned, due to the rain. Producer Kathleen Kennedy recalls, "The T. Rex went into the heebie-jeebies sometimes. Scared the crap out of us. We'd be, like, eating lunch, and all of a sudden a T. Rex would come alive. At first we didn't know what was happening, and then we realized it was the rain. You'd hear people start screaming."
When Hurricane Iniki hit, the cast and crew were all required to move into the ballroom of the hotel in which they were staying. Sir Richard Attenborough, however, stayed in his hotel room and slept through the entire event. When asked how he could possibly have done this, Attenborough replied, "My dear boy, I survived the blitz!"
Michael Crichton intended John Hammond to be "a dark Walt Disney". However, while possibly unintentional, the character is also similar to PT Barnum.
"John Hammond: All major theme parks have delays. When they opened Disneyland in 1956, nothing worked! Dr. Ian Malcolm: Yeah, but, John, if The Pirates of the Caribbean breaks down, the pirates don't eat the tourists."
"Muldoon: [Just before he gets attacked by a raptor] Clever girl."
