Movie |
1960s | Therapist
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Best Music Adapted Song | 2016 | Brian
Best Sound Editing Music in a Musical Feature Film | 2016 | Nicholas
Best Original Song | 2016 | Brian
Best Supporting Actress | 2015 | Elizabeth
Best Original Song | 2015 | Brian
Best Actor | 2015 | Paul
Best Supporting Actor | 2015 | Paul
Best Soundtrack | 2015
Best Supporting Actor | 2016 | Paul
Best Film | 2016 | Michael A.
Best Original Song Motion Picture | 2016 | Brian
Best Performance by an Actor in a Supporting Role in a Motion Picture | 2016 | Paul
Original Song | 2016
Best Song | 2016
Actor of the Year | 2016 | Paul
Best Support Actor | 2016 | Paul
Best Supporting Actress | 2016 | Elizabeth
Best Original Song | 2016
Best Screenplay Original | 2016 | Michael A.
Best Actor in a Supporting Role | 2016 | Paul
Best Actress in a Supporting Role | 2016 | Elizabeth
Best Supporting Male | 2016 | Paul
Best Supporting Actress | 2016 | Elizabeth
Best SongRecording Created for a Film | 2016
Best Supporting Actor | 2016 | Paul
Best Supporting Actress | 2015 | Elizabeth
Best Supporting Actor | 2015 | Paul
Best Actor | 2015 | Paul
Best Supporting Actor | 2015 | Paul
Best Sound Design | 2015
Best Use of Music in a Film | 2015
Best Supporting Actor | 2015 | Paul
Best Picture | 2015
Best Supporting Actor | 2015 | Paul
Best Supporting Actress | 2015 | Elizabeth
Best Film Editing | 2015 | Dino
Best Supporting Actor | 2015 | Paul
Best Screenplay | 2015 | Oren
Best Supporting Actress | 2015 | Elizabeth
Best Original Song | 2015
Most Promising Filmmaker | 2015 | Bill
Best Actor | 2015 | Paul
Best Supporting Actress | 2015 | Elizabeth
Best Art DirectionProduction Design | 2015 | Maggie
Best Supporting Actress | 2015 | Elizabeth
Best Lead Actor | 2015 | Paul
Best Supporting Actress | 2015 | Elizabeth
Best Supporting Actor | 2015 | Paul
Best Original Score or Soundtrack | 2015 | Atticus
Best Actor | 2015 | Paul
Best Supporting Actress | 2015 | Elizabeth
Best Feature Narrative | 2015 | Bill
Narrative Feature | 2015 | Bill
Budget 10,000,000 USD
Box Office Collection 28,600,000 USD
The real Wilson reported having a mild dissociative experience while watching the film. He started to believe that Paul Giamatti was the actual Eugene Landy and felt "absolutely in fear" for several minutes.
The studio scenes were improvised in a live, unrehearsed pseudo-documentary style with two 16mm handheld cameras. Paul Dano, who once played in a band, was really directing the actors on how to play their instruments, who themselves were also real life musicians. While these scenes were mostly unscripted, Dano directly quoted some lines spoken by Wilson from the original session tapes.
The Beatles song referenced by Wilson's brothers was John Lennon's "Girl" from the album "Rubber Soul". It was one example where the Beatles began displaying prominent The Beach Boys influence in their music. Taking inspiration from the cohesiveness of "Rubber Soul", Brian then set out to make "Pet Sounds" an album with no filler tracks. The Beatles then responded to "Pet Sounds" with "Revolver" and, more famously, "Sgt. Pepper's Lonely Hearts Club Band" after Brian failed to complete "Smile".
During the Q&A at the film's premier at SXSW '15, Brian Wilson stated that his favorite scene in the movie was the intimate scene between Cusack and Banks, reflecting a happy moment between his real life wife and himself.
A third era which focused on Brian Wilson's infamous bed period in the 1970s was considered, but ultimately discarded, leaving some of his most troubled years to the viewer's imagination. When asked who would have filled the third Wilson role, Pohlad responded that he had considered Philip Seymour Hoffman.
"Brian Future: I want you to leave, but I don't want you to leave me."
"Carl Wilson: I'm worried about you, brother. Brian Past: I think I might be losing it. Dennis Wilson: I don't blame you. There's a lot to lose out there."
