Movie |
Lake House | Parent Child Relationship
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Best Actor in a Leading Role | 1982 | Henry
Best Actress in a Leading Role | 1982 | Katharine
Best Writing Screenplay Based on Material from Another Medium | 1982 | Ernest
Best Screenplay Motion Picture | 1982 | Ernest
Best Motion Picture Drama | 1982
Best Actor in a Motion Picture Drama | 1982 | Henry
Best Actress | 1983 | Katharine
Best Actor | 1982 | Henry
Best Actress | 1982 | Katharine
Best Supporting Actress | 1982 | Jane
Best Drama Adapted from Another Medium | 1982 | Ernest
1982 | Henry
Best Sound | 1982
Best Director | 1982
Best Film Editing | 1982
Best Actress in a Supporting Role | 1982 | Jane
Best Cinematography | 1982 | Billy
Best Music Original Score | 1982 | Dave
Best Picture | 1982 | Bruce
Best Actress in a Motion Picture Drama | 1982 | Katharine
Best Director Motion Picture | 1982
Best Actress in a Supporting Role Motion Picture | 1982 | Jane
Best Supporting Actress | 1983 | Jane
Best Screenplay | 1983 | Ernest
Best Film | 1983 | Bruce
Best Direction | 1983
Best Actor | 1983 | Henry
Best Album of Original Score Written for a Motion Picture or Television Special | 1983 | Dave
Best Actor | 1981 | Henry
Outstanding Directorial Achievement in Motion Pictures | 1982
1982 | Billy
Best Actor | 1982 | Henry
Best Edited Feature Film | 1982
Best Actor | 1981 | Henry
Best Foreign Language Film | 1983
Budget 15,000,000 USD
Box Office Collection 119,285,432 USD
The brown Fedora worn by Henry Fonda belonged to Spencer Tracy and was given to Fonda by Katharine Hepburn on the first day on the set. Fonda, overwhelmed with the gesture, painted a still life watercolor of the three hats he wore in the film and gave the original to Hepburn as a gift. He had 200 lithographs made of the painting and sent one to every person who worked on the film. Each copy was numbered and personally signed by Fonda thanking each person by name. In her autobiography, Hepburn wrote that she gave the painting to screenwriter Ernest Thompson. After Fonda's death, she found the painting to be a sad reminder of him and Tracy.
Apparently, stars Henry Fonda and Katharine Hepburn had not only never worked together, but had never even met prior to working on this picture, despite having mutual friends and acquaintances.
James Stewart had wanted to star in the movie, but Jane Fonda bought the rights to the play before he could.
Jane Fonda recounted that the scene between Chelsea and Norman (Henry Fonda) where she tells him she wants to be his friend mirrored the real-life relationship between father and daughter. During one take when the younger Fonda unexpectedly grabbed her father's hand, Henry Fonda started to cry and ducked his head away from the camera, embarrassed by his tears. The take appears in the final film.
Leftover footage of Henry Fonda and Katharine Hepburn driving around the New Hampshire countryside, as seen in the opening credits, was used for the opening of the 1982-90 CBS sitcom Newhart (1982).
"Billy Ray: So, I heard you turned 80 today. Norman: Is that what you heard? Billy Ray: Yeah. Man, that's really old. Norman: You should meet my father. Billy Ray: Your father's still alive? Norman: No, but you should meet him."
"Norman: You like that word, don't you? Bullshit. Billy Ray: Yeah Norman: It's a good word"
