12 Angry Men

12 Angry Men

Movie |

Anonymity | Judge

  • :
  • Genre(s): Drama
  • Language(s): English
  • Director(s): Sidney Lumet, Don Kranze, Faith Hubley
  • Cast(s): Martin Balsam, John Fiedler, Lee J. Cobb, E.G. Marshall, Jack Klugman See all Cast & Crew
  • Duration: 1h 36min
  • Music: Kenyon Hopkins,James A. Gleason,Al Gramaglia
  • Award(s): BAFTA Film 1958 (Won)
    Oscar 1958 (Nominated) Awards List
  • Similar To: The Blue Angels, Wonka
  • Story:

    12 Angry Men is a drama film, which tells the story of a jury of twelve men who must reach a unanimous verdict in a murder trial. The cast has Henry Fonda and Lee J Cobb as lead actors, and the movie is known for its intense cinematography and acting performances.

    Full Story
9/10
IMDb

12 Angry Men - Where to Stream?

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12 Angry Men - Cast

12 Angry Men - Crew

12 Angry Men - IMAGE GALLERY

STORY, RATINGS AND REVIEWS

Story

12 Angry Men is a drama film, which tells the story of a jury of twelve men who must reach a unanimous verdict in a murder trial. The cast has Henry Fonda and Lee J Cobb as lead actors, and the movie is known for its intense cinematography and acting performances.

Ratings

9/10

IMDb
12 Angry Men Review

12 Angry Men is a courtroom drama film that tells the story of a group of jurors who must decide the fate of a young man charged with murder. The movie's direction and cinematography are impressive, with a visually stunning and immersive style that captures the intensity and drama of the courtroom. The ensemble cast, including Henry Fonda, Lee J Cobb, and Jack Warden, deliver powerful and nuanced performances that add depth and emotion to the characters. The film's themes of justice, prejudice, and the power of persuasion are explored in a compelling and thought-provoking manner that highlights the importance of critical thinking and empathy in the legal system. The film's minimalistic set design and use of close-ups and camera angles add to the overall mood and atmosphere. Overall, 12 Angry Men is a well-made and emotionally powerful film that offers a fresh and unique perspective on the justice system and the power of individual conscience.

AWARDS

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Won
BAFTA Film Award

Best Foreign Actor | 1958 | Henry

Golden Train Award

Best Newcomer | 1957 | Sidney

WGA (Screen) Award

Best Written American Drama | 1958 | Reginald

Diploma of Merit Award

Best Foreign Actor | 1958 | Henry

Best Foreign Actor For | 1958

OCIC Award

1957 | Sidney

NBR Award

Top Ten Films | 1957

Special Mention Award

1957 | Sidney

Kinema Junpo Award

Best Foreign Language Film | 1960 | Sidney

Blue Ribbon Award

Best Foreign Language Film | 1960 | Sidney

Bodil Award

Best American Film Bedste amerikanske film | 1960 | Sidney

Silver Ribbon Award

Best Foreign Film Miglior Film Straniero | 1958 | Sidney

Edgar Award

Best Motion Picture | 1958 | Reginald

OFTA Film Hall of Fame Award

Motion Picture | 2008

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Nominations
Oscar Award

Best Picture | 1958 | Reginald

Best Director | 1958 | Sidney

Best Writing Screenplay Based on Material from Another Medium | 1958 | Reginald

Golden Globe Award

Best Supporting Actor | 1958

Best Motion Picture Drama | 1958

Best Director | 1958 | Sidney

Best Actor Drama | 1958 | Henry

BAFTA Film Award

Best Film from any Source | 1958

DGA Award

Outstanding Directorial Achievement in Motion Pictures | 1958 | Sidney

Golden Train Award

Best Film | 1957 | Sidney

Top 10 Film Award

Best Film | 1957 | Sidney

NYFCC Award

Best Film | 1957

Best Director | 1957 | Sidney

BOX OFFICE

Budget 350,000 USD

Box Office Collection 4,360,000 USD

TRIVIA AND POPULAR DIALOGUES

Trivia

At the beginning of the film, the cameras are all positioned above eye level and mounted with wide-angle lenses to give the appearance of greater distance between the subjects. As the film progresses the cameras slip down to eye level. By the end of the film, nearly all of it is shot below eye level, in close-up and with telephoto lenses to increase the encroaching sense of claustrophobia.

Director Sidney Lumet had the actors all stay in the same room for several hours on end and do their lines over and over without filming them. This was to give them a real taste of what it would be like to be cooped up in a room with the same people.

Because the film failed to make a profit, Henry Fonda never received his deferred salary. Despite this setback, he always regarded this film as one of the three best he ever made. The others being The Grapes of Wrath (1940) and The Ox-Bow Incident (1942).

This film is commonly used in business schools and workshops to illustrate team dynamics and conflict resolution techniques.

Because the painstaking rehearsals for the film lasted an exhausting two weeks, filming had to be completed in an unprecedented 21 days.

Popular Dialogues

"Juror #8: Let me ask you this: Do you really think the boy'd shout out a thing like that so the whole neighborhood could hear him? I don't think so - he's much too bright for that. Juror #10: Bright? He's a common ignorant slob. He don't even speak good English. Juror #11: [who has a foreign accent] He *doesn't* speak good English."

"Juror #11: I beg pardon... Juror #10: "I beg pardon?" What are you so polite about? Juror #11: For the same reason you are not: it's the way I was brought up."