Movie |
Wife | Moon
A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
A look at the life of the astronaut, Neil Armstrong, and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.
7.3/10
IMDb87%
Rotten TomatoesBest Achievement in Visual Effects | 2019
Best Original Score Motion Picture | 2019 | Justin
2019 | Claire
Best Original Score | 2019 | Justin
Outstanding Supporting Visual Effects in a Photoreal Feature | 2019 | J.D.
Best Original Score | 2018 | Justin
Best Film Editing | 2018 | Tom
Best Cinematography | 2018 | Linus
Best Score | 2018 | Justin
Director of the Year | 2018 | Damien
Composer of the Year | 2018 | Justin
Editor of the Year | 2018 | Tom
Best Support Actress | 2018 | Claire
Best Original Score | 2018 | Justin
Best Editing | 2018 | Tom
Best Picture | 2019
Best Film Editing | 2019 | Tom
Best Visual Effects | 2019
Best Original Score | 2019 | Justin
Best Picture | 2019
Best Adapted Screenplay | 2019 | Josh
Best Editing | 2019 | Tom
Best Original Score | 2019 | Justin
Best Visual Effects | 2019
Best Sound | 2019 | Mildred
Best Achievement in Sound Editing | 2019 | Mildred
Best Achievement in Production Design | 2019 | Nathan
Best Achievement in Sound Mixing | 2019 | Mary H.
Best Performance by an Actress in a Supporting Role in a Motion Picture | 2019 | Claire
Best Sound | 2019 | Jon
Best Supporting Actress | 2019 | Claire
Best Cinematography | 2019 | Linus
Best Achievement in Special Visual Effects | 2019 | J.D.
Best Editing | 2019 | Tom
Best Production Design | 2019 | Kathy
Best Screenplay Adapted | 2019 | Josh
Best Film | 2018 | Damien
Visual Effects | 2019
Cinematography | 2019 | Linus
Production Design | 2019 | Nathan
Sound | 2019 | Mildred
Best Supporting Actress | 2019 | Claire
Best Time Capsule | 2019
Best Edited Feature Film Dramatic | 2019 | Tom
Best Actor | 2019 | Ryan
Outstanding Achievement in Cinematography in Theatrical Releases | 2019 | Linus
Period Film | 2019
Excellence in Sound for a Feature Film | 2019 | Jon
Best Score | 2019 | Justin
Best Supporting Actress | 2019 | Claire
Best Cinematography | 2019 | Linus
Best Motion Picture | 2019 | Damien
Best Actress in a Supporting Role | 2019 | Claire
Best Adapted Screenplay | 2019 | Josh
Best Cinematography | 2019 | Linus
Best Film Editing | 2019 | Tom
Best Visual Effects | 2019
Best Production Design | 2019 | Kathy
Best Studio Film | 2019
Best Actor | 2019 | Ryan
Best Supporting Actress | 2019 | Claire
Best Cinematography | 2019 | Linus
Best Production Design | 2019 | Kathy
Best Editing | 2019 | Tom
Best Original Score | 2019 | Justin
Outstanding Achievement in Sound Mixing for Motion Pictures Live Action | 2019
Best Foreign Film Meilleur Film tranger | 2019
Best Cinematography | 2019 | Linus
Best Film Editing | 2019 | Tom
Best Film | 2019
Best Score | 2019 | Justin
Best Picture | 2019
Best Actor | 2019 | Ryan
Best Supporting Actress | 2019 | Claire
Best Director | 2019 | Damien
Best Adapted Screenplay | 2019 | Josh
Best Visual Effects | 2019
Best Cinematography | 2019 | Linus
Best Production Design | 2019 | Nathan
Best Picture | 2019
Best Visual Effects | 2019
Best Adapted Screenplay | 2019 | Josh
Best Original Score | 2019 | Justin
Best Performance by an Actress in a Supporting Role | 2019 | Claire
Best Production Design | 2019 | Nathan
Best Visual And Sound Effects | 2019
Favorite Actor | 2019 | Ryan
Best Cinematography | 2019 | Linus
Best Picture | 2019
Best Supporting Actress | 2019 | Claire
Best Cinematography | 2019 | Linus
Best Production Design | 2019 | Kathy
Best Drama | 2019
Best Drama TV Spot | 2019
Most Innovative Advertising for a Feature Film | 2019
Best Film | 2019
Best Actress | 2019 | Claire
Best Cinematography | 2019 | Linus
Best Visual Effects | 2019
Best Supporting Actress | 2019 | Claire
Best Original Score | 2019 | Justin
Outstanding Color Grading Theatrical Feature | 2019
Best Original Score | 2019 | Justin
Film Score of the Year | 2019 | Justin
Best Original Score for a Drama Film | 2019 | Justin
Film Music Composition of the Year | 2019 | Justin
Best Actor | 2019 | Ryan
Best Film Editing | 2019 | Tom
Best Original Score | 2019 | Justin
Best Sound Mixing | 2019 | Mary H.
Best Sound Editing | 2019 | Mildred
Best Visual Effects | 2019 | J.D.
Best Performance by an Actress in a Supporting Role | 2019 | Claire
Best Editing | 2019 | Tom
Best Sound | 2019 | Mildred
Best Visual Effects | 2019
Best Music | 2019 | Justin
Film of the Year | 2019
Supporting Actress of the Year | 2019 | Claire
BritishIrish Actress of the Year For and | 2019
Technical Achievement of the Year | 2019
BritishIrish Actress of the Year | 2019 | Claire
Outstanding Achievement in Sound Editing Music Score for Feature Film | 2019
Outstanding Achievement in Sound Editing Dialogue and ADR for Feature Film | 2019 | Galen
Outstanding Achievement in Sound Editing Sound Effects and Foley for Feature Film | 2019
Best Narrative Film | 2019
Best Director | 2019 | Damien
Best Cinematography | 2019 | Linus
Best Special Effects | 2019
Best Music | 2019 | Justin
Best Picture | 2019 | Damien
Best Supporting Actress | 2019 | Claire
Best Music Original Score | 2019 | Justin
Best Film Editing | 2019 | Tom
Best Cinematography | 2019 | Linus
Best Production Design | 2019 | Kathy
Best Sound Effects Editing | 2019 | Mildred
Best Visual Effects | 2019 | J.D.
Best Editing | 2019 | Tom
Best Cinematography | 2019 | Linus
Best Original Score | 2019 | Justin
Best Actor in a Motion Picture Drama | 2019 | Ryan
Best Actress in a Supporting Role | 2019 | Claire
Best Motion Picture Drama Major | 2019
Best Film Editing | 2019 | Tom
Best Sound Editing Mixing | 2019
Best Art Direction Production Design | 2019
Best Stunt Rigging | 2019
Outstanding Compositing in a Photoreal Feature | 2019
Best Film | 2018
Best Original Score | 2018 | Justin
Best Cinematography in a Theatrical Feature Film | 2018 | Linus
Main Competition | 2018 | Linus
Best Editing | 2018 | Tom
Best Cinematography | 2018 | Linus
Best Original Score | 2018 | Justin
Best Use of Visual Effects | 2018
Best Film | 2018
Best Supporting Actress | 2018 | Claire
Best Director | 2018 | Damien
Best Adapted Screenplay | 2018
Best Cinematography | 2018 | Linus
Best Visual Effects | 2018
Best Art DirectionProduction Design | 2018
Best Music in a Movie | 2018
Best Supporting Actress of the Year | 2018 | Claire
Most Memorable Scene in a Movie | 2018
Most Underrated Movie of the Year | 2018
Best Original Score Feature Film | 2018 | Justin
Best Lead Performer in a Movie | 2018 | Ryan
Best Music | 2018 | Justin
Best Visual Effects | 2018
Best Cinematography | 2018 | Linus
Best Score | 2018 | Justin
Best MusicScore | 2018 | Justin
Best Picture | 2018
Best Actor | 2018 | Ryan
Best Supporting Actress | 2018 | Claire
Best Director | 2018 | Damien
Best Cinematography | 2018 | Linus
Best Lead Actor | 2018 | Ryan
Best Male Lead | 2018 | Ryan
Best Supporting Female | 2018 | Claire
Best Cinematography | 2018 | Linus
Best Cinematography | 2018 | Linus
Best Production Design | 2018 | Nathan
Best Original Score | 2018 | Justin
Best Film Editing | 2018 | Tom
City of Donostia Audience Award | 2018 | Damien
Best Supporting Actress | 2018 | Claire
Best Film Editing | 2018 | Tom
Best Original Score | 2018 | Justin
Best Visual Effects | 2018
Best Production Design | 2018 | Kathy
Best Editing | 2018 | Tom
Best Cinematography | 2018 | Linus
Best Production Design | 2018 | Nathan
Best Score | 2018 | Justin
Best Supporting Actress | 2018 | Claire
Best Production Design | 2018 | Kathy
Best Cinematography | 2018 | Linus
Best Original Score | 2018 | Justin
Budget 70,000,000 USD
Box Office Collection 105,713,218 USD
Amazon Music
Apple Music
Jio Saavn
Spotify
Youtube Music
Mark Armstrong and Rick Armstrong said that this film contained the most accurate portrayal of their father Neil Armstrong and their mother Janet Armstrong.
In the breakfast scene just before Apollo 11 launched, NASA sketch artist Paul Calle was played by his own son Chris Calle.
William Safire, one of Richard Nixon's speechwriters, had prepared a statement to be delivered by the President in the event the Apollo 11 mission had failed. NASA White House Liaison, astronaut Frank Borman, suggested to Safire that the President should be prepared to address a catastrophic mishap with the mission. Since the most dangerous parts of the mission were the landing and take-off, a mishap most likely meant the astronauts would either crash on the moon or be unable to depart; in either case left stranded there. Safire wrote a short speech titled "In the event of moon disaster" for such a contingency, but did not deliver it to Nixon. After the success of the mission, Safire quietly entered the speech into the presidential records where it remained until it was de-classified and released to the public in 1999. The first line of the speech reads: "Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace."
Apollo astronauts were considered government employees, with most at the rank of Captain. Regardless of their substantial education, the average yearly income of these astronauts in the 1960s was $17,000 (~$112,000 in 2019 money) solely based on military rank, and were not paid any hazard pay. Additionally, the astronauts were paid per-diem of $8 extra a day (~$56 in 2019 money) for each day they spent in the spacecraft. However, this per-diem was "pre-deduction," and they were deducted for living expenses when aboard the spacecraft, as food and a bed were provided for them.
A prominent character in this film is Donald K. Slayton aka Deke Slayton. He was one of the original Mercury astronauts but was grounded due to heart palpitations. Choosing to stay with NASA, he became its first Chief of the Astronaut Office and the Director of Flight Crew Operations. His persistence would eventually pay off, as he was declared healthy in 1971 and finally went into space in the joint American/Soviet Apollo Soyuz flight in 1975, some 14 years after the first manned Mercury mission.
"Neil Armstrong: I don't know what space exploration will uncover, but I don't think it'll be exploration just for the sake of exploration. I think it'll be more the fact that it allows us to see things. That maybe we should have seen a long time ago. But just haven't been able to until now."
"Deke Slayton: Why do you think space flight is important? Neil Armstrong: I had a few opportunities in the X-15 to observe the atmosphere. It was so thin, such a small part of the Earth that you could barely see it at all. And when you're down here in the crowd and you look up, it looks pretty big and you don't think about it too much. But when you get a different vantage point it changes your perspective."