Movie |
Editor-in-chief | Paris, France
The Devil Wears Prada is about a young journalist who moves to New York to work in the fashion industry. Her boss however is extremely demanding and cruel and won’t let her succeed if she doesn’t fit into the high class elegant look of their magazine when all she really wants to be a good journalist.
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
The Devil Wears Prada is about a young journalist who moves to New York to work in the fashion industry. Her boss however is extremely demanding and cruel and won’t let her succeed if she doesn’t fit into the high class elegant look of their magazine when all she really wants to be a good journalist.
Best Performance by an Actress in a Motion Picture Comedy or Musical | 2007 | Meryl
Best Actress | 2007 | Meryl
Best International Actress Beste Buitenlandse Actrice | 2007 | Meryl
Best Actress in a Comedic Performance | 2006 | Meryl
Top Ten Films | 2006
Best Actress in a Motion Picture Comedy or Musical | 2006 | Meryl
Best Costume Design | 2006
Most Golden Globe awards won by an actress | 2017 | Meryl
Most Golden Globe Awards | 2012 | Meryl
Best Voice Actress | 2007
Best Leading Voice Actress | 2007
2007 | Theodore
Best Supporting Actress Miglior attrice non protagonista | 2007 | Meryl
Movie of the Year | 2007
Best Performance by an Actress in a Leading Role | 2007 | Meryl
Best Achievement in Costume Design | 2007
Best Motion Picture Comedy or Musical | 2007
Best Performance by an Actress in a Supporting Role in a Motion Picture | 2007 | Emily
Best Actress in a Supporting Role | 2007 | Emily
Best Actress in a Leading Role | 2007 | Meryl
Best Screenplay Adapted | 2007 | Aline Brosh
Best Make Up Hair | 2007 | Nicki
Best Costume Design | 2007
Best Adapted Screenplay | 2007 | Aline Brosh
Best Actress of the Decade | 2010 | Meryl
Best Comedic Performance | 2007 | Emily
Best Villain | 2007 | Meryl
Best International Movie | 2007
Breakthrough Performance | 2007 | Emily
Best Actress | 2007 | Meryl
Best Actress | 2007 | Meryl
Favorite Song from a Movie | 2007 | Alanis
Outstanding Performance by a Female Actor in a Leading Role | 2007 | Meryl
Best Supporting Actress | 2007 | Meryl
Best Edited Feature Film Comedy or Musical | 2007 | Mark
Excellence in Contemporary Film | 2007
Best Actress | 2007 | Meryl
Best International Actress | 2007 | Anne
Choice Summer Movie Comedy | 2006
Movies Choice Sleazebag | 2006 | Meryl
Movies Choice Chemistry | 2006 | Meryl
Movies Choice Breakout Female | 2006 | Emily
Best Actress in a Leading Role | 2006 | Meryl
Best Actress in a Supporting Role | 2006 | Emily
Best Supporting Actress | 2006 | Meryl
Best Screenplay Written by a Woman | 2006 | Aline Brosh
Best Comedy by or About Women | 2006 | David
Best Actress | 2006 | Meryl
Best Picture | 2006
Best Supporting Actress of the Year | 2006 | Emily
Best Supporting Actress | 2006 | Meryl
Best Motion Picture Comedy or Musical | 2006
Best Actress | 2006 | Meryl
Best Supporting Actress | 2006 | Meryl
Best Lead Performance | 2006 | Meryl
Budget 35,000,000 USD
Box Office Collection 326,706,115 USD
On the first day of filming, Meryl Streep told Anne Hathaway, "I think you're perfect for the role. I'm so happy we're going to be working together." Then she paused and followed it up with, "That's the last nice thing I'll say to you." And it was.
Despite multiple fashion designer loans, Patricia Field spent more than $1 million on costuming, making it the most expensively-costumed film in history. Field received her sole Oscar nomination for her work on this film.
All costumes were sold off at an auction for research of breast cancer. Anne Hathaway bought the green dress her character gets to wear. The one item Meryl Streep kept was her sunglasses, which she used again as Donna during the famous "Money Money Money" scene in 2008's Mamma Mia!.
Anna Wintour, the editor of Vogue (and the inspiration for Miranda Priestly), was not invited to the premiere. She did, however, attend an advance screening for the press along with her daughter, dressed head-to-toe in Prada. Wintour's daughter could be heard nudging her through the screening: "They got that right!". Although never commenting on it publicly, she reportedly really liked the film despite initial skepticism.
The only contact production had with Vogue was Jess Gonchor, the production designer, who snuck into their offices to get a look at Anna Wintour's office. He was able to re-create it so authentically that it is said that Anna redecorated hers immediately after the movie came out.
"Jocelyn: [holding up two belts] It's a tough call. They're so different. [Andy snickers; everyone in the room stops and stares at her] Miranda Priestly: Something funny? Andy Sachs: No... No, no, nothing's... you know, it's just... both those belts look exactly the same to me. You know, I'm still learning about this stuff and, uh... Miranda Priestly: "This stuff"? Oh. Okay. I see. You think this has nothing to do with you. You go to your closet and you select, I don't know, that lumpy blue sweater, for instance, because you're trying to tell the world that you take yourself too seriously to care about what you put on your back. But what you don't know is that that sweater is not just blue, it's not turquoise, it's not lapis, it's actually cerulean. And you're also blithely unaware of the fact that in 2002, Oscar de la Renta did a collection of cerulean gowns. And then I think it was Yves Saint Laurent, wasn't it, who showed cerulean military jackets? [turns to an outfit she is styling] Miranda Priestly: I think we need a jacket here. [Nigel nods, leaves the room] Miranda Priestly: And then cerulean quickly showed up in the collections of eight different designers. And then it, uh, filtered down through the department stores, and then trickled on down into some tragic Casual Corner where you, no doubt, fished it out of some clearance bin. However, that blue represents millions of dollars and countless jobs. And it's sort of comical how you think that you've made a choice that exempts you from the fashion industry when, in fact, you're wearing the sweater that was selected for you by the people in this room... from a pile of "stuff"."
"Miranda Priestly: Is there some reason that my coffee isn't here? Has she died or something?"
