Movie |
Black And White | Paris, France
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Top Ten Films | 1966
Best Writing Story and Screenplay Written Directly for the Screen | 1966
Best Film from any Source | 1965
Action Performance | 1965 | Burt
Budget 5,800,000 USD
Box Office Collection 6,800,000 USD
Burt Lancaster took a day off during shooting to play golf when the production was about half completed. On the links, he stepped in a hole and re-aggravated an old knee injury. In order to compensate for the injury, John Frankenheimer had Lancaster's character shot in the leg, thus enabling him to limp through the rest of the shooting.
Burt Lancaster performs all of his own stunts in this movie. Albert Rémy also gets into the act by performing the stunt of uncoupling the engine from the paintings train on a real moving train.
In reality, the museum's paintings were indeed loaded into a train for shipment to Germany, but fortunately the elaborate deception seen in the movie was not really required. The train was merely routed onto a ring railway and circled around and around Paris until the Allies arrived.
John Frankenheimer said of this film, "I wanted all the realism possible. There are no tricks in this film. When trains crash together, they are real trains. There is no substitute for that kind of reality."
The budget doubled under John Frankenheimer, due to an emphasis on action and the filming of train wrecks, eventually reaching $6.7 million. United Artists felt compelled to step in and assert its completion rights, demanding that principal photography be finished in seven weeks.
"Colonel von Waldheim: Labiche! Here's your prize, Labiche. Some of the greatest paintings in the world. Does it please you, Labiche? Give you a sense of excitement in just being near them? A painting means as much to you as a string of pearls to an ape. You won by sheer luck: you stopped me without knowing what you were doing, or why. You are nothing, Labiche -- a lump of flesh. The paintings are mine; they always will be; beauty belongs to the man who can appreciate it! They will always belong to me or to a man like me. Now, this minute, you couldn't tell me why you did what you did."
"Colonel von Waldheim: Beauty belongs to the man who can appreciate it."
