Movie |
Baby | Holiday
During a Christmas Eve in Tokyo, three homeless people, middle-aged alcoholic Gin, former drag queen Hana, and dependent runaway girl Miyuki, discover an abandoned newborn while looking through the garbage. With only a handful of clues to the baby's identity, the three misfits search the city to find its parents. Directed by Satoshi Kon. Starring Aya Okamoto, Yoshiaki Umegaki, Toru Emori in prominent roles.
Disclaimer: All content and media belong to original content streaming platforms/owners like Netflix, Disney+ Hotstar, Amazon Prime Videos, JioCinema, SonyLIV etc. 91mobiles entertainment does not claim any rights to the content and only aggregate the content along with the service providers links.
During a Christmas Eve in Tokyo, three homeless people, middle-aged alcoholic Gin, former drag queen Hana, and dependent runaway girl Miyuki, discover an abandoned newborn while looking through the garbage. With only a handful of clues to the baby's identity, the three misfits search the city to find its parents. Directed by Satoshi Kon. Starring Aya Okamoto, Yoshiaki Umegaki, Toru Emori in prominent roles.
7.8/10
IMDbBest Animated Film | 2004 | Shougo
2004 | Satoshi
Best Asian Movie | 2004 | Satoshi
Film Category | 2004
2004 | Satoshi
Domestic Feature Film Category | 2004 | Satoshi
2003 | Satoshi
2003 | Satoshi
Best Animated Feature Film Miglior film danimazione | 2005
Best Film | 2003 | Satoshi
Box Office Collection 148,355 USD
The number "12-25" (the date of Christmas) appears throughout the film: the number on the keyring, the cab fare (12,250 yen), a stopped alarm clock, the address in the newspaper ad, the cab license plate.
Toward the beginning of the movie, they pass by a convenience store, in the background you can see the theatrical posters for Perfect Blue (1997), Millennium Actress (2001), and Tokyo Godfathers itself. All three films were directed by Satoshi Kon.
This movie is an extremely loose remake of 3 Godfathers (1948).
In this film, buildings that look like faces appear in over a dozen scenes, sometimes representing the feelings of the characters. Satoshi Kon describes this in his "Tokyo Godfathers miscellaneous notes"as follows. "When I bought my new digital camera, I started taking pictures of such "faces of the buildings" for fun, but I thought it would be a shame to let it end up as just a hobby. so I decided to use them in this film as symbols of the pantheistic gods, the eight million gods that have existed in Japan since ancient times."
Yakuza boss Ota's car number is "8893". In Japan, "893" is a number that represents the yakuza in a cryptic way in modern times, and is actually said to be the origin of the word "yakuza," because Adding 8 (ya), 9 (ku), and 3 (za) gives us 0 for first place, which is the lowest score in a Japanese card game similar to baccarat.
"Hana: I am a mistake made by God. In my heart, I am a woman. Gin: Women can have children. Hana: What if a miracle like the Virgin Mary getting pregnant... was to happen to a homo? [to soup kitchen server] Hana: Better give me a little extra. I'm eating for two."
"'Angel' Drag Queen: What is your desire? My magic? Or an ambulance? Gin: A- Ambulance... 'Angel' Drag Queen: Well! Aren't you rude!"