Movie |
Prosecution | Farewell
After a gentle alien becomes stranded on Earth, the being is discovered and befriended by a young boy named Elliott. Bringing the extraterrestrial into his suburban California house, Elliott introduces E.T., as the alien is dubbed, to his brother and his little sister, Gertie, and the children decide to keep its existence a secret. Soon, however, E.T. falls ill, resulting in government intervention and a dire situation for both Elliott and the alien.
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After a gentle alien becomes stranded on Earth, the being is discovered and befriended by a young boy named Elliott. Bringing the extraterrestrial into his suburban California house, Elliott introduces E.T., as the alien is dubbed, to his brother and his little sister, Gertie, and the children decide to keep its existence a secret. Soon, however, E.T. falls ill, resulting in government intervention and a dire situation for both Elliott and the alien.
Best Sound | 1983 | Robert
Best Effects Visual Effects | 1983
Best Effects Sound Effects Editing | 1983 | Ben
Best Music Original Score | 1983 | John
Best Motion Picture Drama | 1983
Best Original Score Motion Picture | 1983 | John
Best Score | 1983 | John
Best Family Feature Animated Musical or Fantasy | 1983
Best Young Supporting Actress in a Motion Picture | 1983 | Drew
Best Young Supporting Actor in a Motion Picture | 1983 | Robert
Best Young Motion Picture Actor | 1983 | Henry
Best Science Fiction Film | 1983
Best Writing | 1983 | Melissa
Best Music | 1983 | John
Best Special Effects | 1983 | Dennis
Best Poster Art | 1983
Best DVD Classic Film Release | 2003
Best Foreign Language Film | 1983
Most Popular Performer | 1983
Best Foreign Language Film | 1983 | Steven
Best Foreign Film Mejor Pelcula Extranjera | 1983
Best Foreign Director Migliore Regista Straniero | 1983 | Steven
Best Foreign Film Mejor Pelcula Extranjera | 1983 | Steven
2000 | Steven
Most Oscars won for visual effects For and | 1994
Most Oscars won for visual effects | 1994 | Dennis
1983
Best Instrumental Composition | 1983 | John
Best Instrumental Arrangement Accompanying Vocals | 1983 | John
Best Recording for Children | 1984 | Michael
Best Foreign Language Film | 1983 | Steven
Best Sound Editing Sound Effects | 1983
Best Director | 1983 | Steven
Favorite Motion Picture | 1983
Mejor Pelcula Infantil | 1983 | Steven
Best Drama Written Directly for the Screen | 1983 | Melissa
Best International Film | 1982 | Steven
1982 | Melissa
Top Ten Films | 1982
Best Edition of an Existing Score | 2017
Best Cinematography | 1983 | Allen
Best Picture | 1983 | Kathleen
Best Director | 1983 | Steven
Best Writing Screenplay Written Directly for the Screen | 1983 | Melissa
Best Film Editing | 1983 | Carol
Best Screenplay Motion Picture | 1983 | Melissa
Best Director Motion Picture | 1983 | Steven
New Star of the Year in a Motion Picture Male | 1983 | Henry
Best Make Up Artist | 1983
Most Outstanding Newcomer to Leading Film Roles | 1983 | Henry
Best Production DesignArt Direction | 1983 | James D.
Best Screenplay | 1983 | Melissa
Best Sound | 1983 | Don
Best Special Visual Effects | 1983 | Carlo
Best Cinematography | 1983 | Allen
Best Direction | 1983 | Steven
Best Film | 1983 | Kathleen
Best Film Editing | 1983 | Carol
Best New Release ReRelease or ReRecording of an Existing Score | 2018
Best DVDBluRay Collection For and | 2015
Best DVDBluRay Collection | 2015
Best Actor | 1983 | Henry
Best Supporting Actress | 1983 | Dee
Best Director | 1983 | Steven
Best AnimationFamily | 2002
Best Edition of a Classic Soundtrack | 2002 | John
Best Foreign Film | 1984
Best Edited Feature Film | 1983 | Carol
Best Foreign Film Meilleur film tranger | 1983 | Steven
Best Foreign Producer Migliore Produttore Straniero | 1983 | Steven
Outstanding Directorial Achievement in Motion Pictures | 1983 | Steven
Best Dramatic Presentation | 1983 | Melissa
Best Film | 1983
Best Music | 1982 | John
Budget 10,500,000 USD
Box Office Collection 792,965,500 USD
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Most of the full-body puppetry was performed by a 2'10" tall stuntman, but the scenes in the kitchen were done using a 12-year-old boy who was born without legs but was an expert on walking on his hands.
Steven Spielberg shot most of the film from the eye-level of a child to further connect with Elliott and E.T.
At one point, Gertie looks down at E.T. and says, "I don't like his feet." This was ad-libbed by Drew Barrymore and was actually her referring to the grouping of wires coming out of the E.T. puppet. She also ad-libbed the line, "Give me a break!" after Elliott tells her only little kids can see E.T.
The end of the film was one of the most significant musical experiences for composer John Williams. After several attempts were made to match the score to the film, Steven Spielberg took the film off the screen and encouraged Williams to conduct the orchestra the way he would at a concert. He did, and Spielberg slightly re-edited the film to match the music, which is unusual since normally the music would be edited to match the film. The result was Williams winning the 1982 Academy Award for Best Original Score.He recreated this at his last appearance with the LA Philharmonic at the Hollywood Bowl in 2013 conducting the orchestra live while the last reel was shown on the jumbotrons.
In the Halloween scene, where E.T. sees a child in a Yoda costume and seems to recognize him, This is an inside joke by Steven Spielberg on his good friend, Star Wars creator George Lucas. In Star Wars: Episode I - The Phantom Menace (1999), Lucas returns the joke in a scene that takes place in the galactic senate. In the shot of the various senators calling out, you can see E.T.'s species among the senate pods in the lower right corner.
"[last lines] E.T.: Come... Elliot: [solemnly] Stay... E.T.: [puts his finger to his glowing heart] Ouch. Elliot: [mimics the same action, tearfully] Ouch. E.T.: [E.T. and Elliot embrace each other, then E.T. puts his glowing finger to Elliot's forehead] I'll... be... right... here. Elliot: [tearfully] ... bye."
"Elliott: He's a man from outer space and we're taking him to his spaceship. Greg: Well, can't he just beam up? Elliott: This is *reality*, Greg."
