Movie |
Moon | Spacecraft
Sam Witwicky takes his first tenuous steps into adulthood while remaining a reluctant human ally of Autobot-leader Optimus Prime. The film centers around the space race between the USSR and the USA, suggesting there was a hidden Transformers role in it all that remains one of the planet's most dangerous secrets.
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Sam Witwicky takes his first tenuous steps into adulthood while remaining a reluctant human ally of Autobot-leader Optimus Prime. The film centers around the space race between the USSR and the USA, suggesting there was a hidden Transformers role in it all that remains one of the planet's most dangerous secrets.
Outstanding Created Environment in a Live Action Feature Motion Picture | 2012 | Tom Martinek
Film Music | 2012 | Steve Jablonsky
Visual Effects of the Year | 2011 | Scott Farrar
Best Specialty Stunt | 2012 | J.T. Holmes
Best Achievement in Sound Editing | 2012 | Erik Aadahl
Best Achievement in Visual Effects | 2012 | Matthew E. Butler
Best Achievement in Sound Mixing | 2012 | Greg P. Russell
Choice Summer Movie Star Male | 2011 | Shia LaBeouf
Choice Summer Movie Star Female | 2011 | Rosie Huntington-Whiteley
Worst Screen Couple | 2012 | Rosie Huntington-Whiteley
Worst Supporting Actor | 2012 | Ken Jeong
Worst Director | 2012 | Michael Bay
Worst Supporting Actor For and | 2012 | Ken Jeong
Worst Screenplay | 2012 | Ehren Kruger
Worst Supporting Actress | 2012 | Rosie Huntington-Whiteley
Best Vocal Ensemble in a Feature Film | 2012 | Reno Wilson
Best Male Vocal Performance in a Feature Film | 2012 | Leonard Nimoy
Outstanding Performance by a Stunt Ensemble in a Motion Picture | 2012 | Jim Stephan
Best Sound Editing Sound Effects and Foley in a Feature Film | 2012 | Christian Schaanning
Best Sound Editing Music in a Feature Film | 2012 | Alex Gibson
Best Sound Editing Mixing | 2011 | Greg P. Russell
Best Visual Effects | 2011 | Matthew E. Butler
Best Cameo | 2011 | Buzz Aldrin
Best Special Effects | 2012 | Matthew E. Butler
Outstanding Virtual Cinematography in a Live Action Feature Motion Picture | 2012 | Jeff White
Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture | 2012 | Matthew E. Butler
Outstanding Color Grading Feature Film in a DI Process | 2011 | Stefan Sonnenfeld
Budget 195,000,000 USD
Box Office Collection 1,123,800,000 USD
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The Driller was composed of 70,000 pieces. It required ILM to use up its entire render farm, and took 122 hours per frame (288 hours in the Driller's attack on the skyscraper).
According to Michael Bay, 532 vehicles were destroyed in the film. They were given away by an insurance company, at no charge, as all of them were flood-damaged.
(at around 27 mins) Peter Cullen's favorite moment in the film is when Optimus Prime meets with astronaut Buzz Aldrin.
Sentinel Prime was originally meant to be colored yellow-gold, but as fire trucks are a standard red, he had to be re-colored at an expense of several thousands of dollars.
(at around 24 mins) Michael Bay swore that the Autobot Twins, Skids and Mudflap, would not be in the film, and promised 25,000 dollars to whomever could spot them. However, they do appear in one scene: when Director Mearing arrives at NEST.
"[last lines] Optimus Prime: In any war, there are calms between the storms. There will be days when we lose faith, days when our allies turn against us. But the day will never come, that we forsake this planet and its people."
"Simmons: Years from now they're going to ask us: where were you when they took over the planet? We're gonna say: we stood by and watched."
![Transformers 3 - Dark of the Moon | [HD] OFFICIAL trailer #2 US (2011)](https://img.youtube.com/vi/E-Sg_zJrDxc/mqdefault.jpg)
