Movie |
Commando | Moon
Sam Witwicky takes his first tenuous steps into adulthood while remaining a reluctant human ally of Autobot-leader Optimus Prime. The film centers around the space race between the USSR and the USA, suggesting there was a hidden Transformers role in it all that remains one of the planet's most dangerous secrets.
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Sam Witwicky takes his first tenuous steps into adulthood while remaining a reluctant human ally of Autobot-leader Optimus Prime. The film centers around the space race between the USSR and the USA, suggesting there was a hidden Transformers role in it all that remains one of the planet's most dangerous secrets.
6.2/10
IMDb35%
Rotten TomatoesOutstanding Models in a Feature Motion Picture | 2012
Outstanding Created Environment in a Live Action Feature Motion Picture | 2012
Best Summer Blockbuster Trailer | 2011
Visual Effects of the Year | 2011 | Scott
Outstanding Compositing Feature Film | 2011
Obviously Worst Film | 2011
Best D Movie | 2011
Animated Effects in a Live Action Production | 2012
Best Specialty Stunt | 2012
Film Music | 2012 | Steve
Best Achievement in Sound Editing | 2012 | Erik
Best Achievement in Visual Effects | 2012 | Matthew E.
Best Achievement in Sound Mixing | 2012 | Greg P.
Outstanding Performance by a Stunt Ensemble in a Motion Picture | 2012
Best Special Effects | 2012 | Scott
Sequel or Remake That Shouldnt Have Been Made | 2012
Best Male Vocal Performance in a Feature Film | 2012 | Leonard
Best Vocal Ensemble in a Feature Film | 2012 | Reno
The Art of D | 2012
Blockbuster of the Year | 2012
Best Sound Editing Music in a Feature Film | 2012 | Ryan
Best Sound Editing Sound Effects and Foley in a Feature Film | 2012 | Willard
Worst Supporting Actor | 2012 | Ken
Worst Supporting Actor For and | 2012
Worst Ensemble | 2012
Worst Picture | 2012
Worst Supporting Actress | 2012 | Rosie
Worst Director | 2012 | Michael
Worst Screen Couple | 2012 | Rosie
Worst Screenplay | 2012 | Ehren
Outstanding Compositing in a Feature Motion Picture | 2012
Outstanding Visual Effects in a Visual Effects Driven Feature Motion Picture | 2012 | Scott
Outstanding Virtual Cinematography in a Live Action Feature Motion Picture | 2012 | Jeff
Worst Movie of the Year | 2011
Most Overrated Movie of the Year | 2011
Best Special Effects of the Year | 2011
Best Action Sequence of the Year | 2011
Outstanding Color Grading Feature Film in a DI Process | 2011
Best D Movie | 2011
Best Science Fiction Movie | 2011
Best Cameo | 2011 | Buzz
Best Chase Scene | 2011
Holy Sht Scene of the Year | 2011
Best FX | 2011
Choice Summer Movie | 2011
Choice Summer Movie Star Male | 2011 | Shia
Choice Summer Movie Star Female | 2011 | Rosie
Outstanding Color Grading Feature Film in a DI Process | 2011
Budget 195,000,000 USD
Box Office Collection 1,123,800,000 USD
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The Driller was composed of 70,000 pieces. It required ILM to use up its entire render farm, and took 122 hours per frame (288 hours in the Driller's attack on the skyscraper).
According to Michael Bay, 532 vehicles were destroyed in the film. They were given away by an insurance company, at no charge, as all of them were flood-damaged.
(at around 27 mins) Peter Cullen's favorite moment in the film is when Optimus Prime meets with astronaut Buzz Aldrin.
Sentinel Prime was originally meant to be colored yellow-gold, but as fire trucks are a standard red, he had to be re-colored at an expense of several thousands of dollars.
(at around 24 mins) Michael Bay swore that the Autobot Twins, Skids and Mudflap, would not be in the film, and promised 25,000 dollars to whomever could spot them. However, they do appear in one scene: when Director Mearing arrives at NEST.
"[last lines] Optimus Prime: In any war, there are calms between the storms. There will be days when we lose faith, days when our allies turn against us. But the day will never come, that we forsake this planet and its people."
"Simmons: Years from now they're going to ask us: where were you when they took over the planet? We're gonna say: we stood by and watched."