Movie |
Manhattan, New York City | New York City
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Best Supporting Actress For and | 1979
Best Film | 1979
Best Supporting Actress | 1979 | Meryl
Top Ten Films | 1979
Best Foreign Film Mejor Pelcula Extranjera | 1980 | Woody
Best Foreign Film Meilleur film tranger | 1980 | Woody
Best NonEuropean Film Bedste ikkeeuropiske film | 1980 | Woody
Best Supporting Actress For and | 1980
Best Director | 1980 | Woody
Best Supporting Actress | 1980 | Meryl
Motion Picture | 2022
Foreign Film Auslndischer Film | 1981 | Woody
Best Foreign Director Regista del Miglior Film Straniero | 1980 | Woody
Best Director | 1979 | Woody
Best Writing Screenplay Written Directly for the Screen | 1980 | Marshall
Best Actress in a Supporting Role | 1980 | Mariel
Best Motion Picture Drama | 1980
Best Actress | 1980 | Diane
Best Cinematography | 1980 | Gordon
Best Direction | 1980 | Woody
Best Editing | 1980 | Susan E.
Best Supporting Actress | 1980 | Meryl
Best Sound Track | 1980
Best Actor | 1980 | Woody
Best Foreign Performer (Mejor intrprete de cine extranjero) | 1981 | Meryl
Best Foreign Performer Mejor intrprete de cine extranjero For | 1981 | Meryl
Best Foreign Language Film | 1981
Best Screenplay | 1980 | Marshall
Best Cinematography | 1980 | Gordon
Best Actress | 1980 | Diane
Best Film | 1980
Best Juvenile Actress in a Motion Picture | 1980 | Mariel
Best Comedy Written Directly for the Screen | 1980 | Woody
Best Foreign Film Mejor Pelcula Extranjera | 1980 | Woody
Outstanding Directorial Achievement in Motion Pictures | 1980 | Woody
Best International Actor | 1979 | Woody
Budget 9,000,000 USD
Box Office Collection 40,194,067 USD
There is allegedly a clause in the studio's contract for the film that mandates that the movie must always be shown in letterbox format in any home video release and/or TV/cable broadcast.
Woody Allen disliked his work in this film so much he offered to direct another film for United Artists for free if they kept this one on the shelf for good. Allen later reportedly said, "I just thought to myself, 'At this point in my life, if this is the best I can do, they shouldn't give me money to make movies'."
Meryl Streep shot her scenes during breaks in filming Kramer vs. Kramer (1979).
The film is one of eight collaborations between Woody Allen and Diane Keaton. Allen co-starred in six of them, and directed seven.
After the success of Annie Hall (1977), United Artists executives told Woody Allen's producers, Charles H. Joffe and Jack Rollins, to give Allen a message, "From now on, make whatever you want".
"Isaac Davis: All the times I come over here, I can't understand how you can prefer her to me. Jill: You can't understand that? Isaac Davis: No. It's a mystery to me. Jill: Well, you knew my history when you married me. Isaac Davis: I know. My analyst warned me, but you were so beautiful that I got another analyst."
"Isaac Davis: Why is life worth living? It's a very good question. Um... Well, There are certain things I guess that make it worthwhile. uh... Like what... okay... um... For me, uh... ooh... I would say... what, Groucho Marx, to name one thing... uh... um... and Wilie Mays... and um... the 2nd movement of the Jupiter Symphony... and um... Louis Armstrong, recording of Potato Head Blues... um... Swedish movies, naturally... Sentimental Education by Flaubert... uh... Marlon Brando, Frank Sinatra... um... those incredible Apples and Pears by Cezanne... uh... the crabs at Sam Wo's... uh... Tracy's face..."
