Movie |
Forbidden Love | Lgbt
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Best Supporting Actress | 2018 | Rachel
Best Actress International Competition | 2019 | Rachel
Top Ten of the Year International Competition | 2019 | Sebastián
Best Supporting Actor | 2018 | Alessandro
Best Sequence International Competition | 2019
Best Director International Competition | 2019 | Sebastián
Best Film International Competition | 2019 | Sebastián
Best Supporting Actress International Competition | 2019 | Rachel
Best Duo International Competition | 2019 | Rachel
Best Supporting Actor International Competition | 2019 | Alessandro
BritishIrish Actress of the Year | 2019 | Rachel
Supporting Actor of the Year | 2019 | Alessandro
BritishIrish Actress of the Year For | 2019
Outstanding Film Limited Release | 2019
Best Actress | 2019 | Rachel
Best Supporting Actor | 2019 | Alessandro
Best Screenplay | 2018 | Rebecca
Best British Independent Film | 2018 | Rachel
Best Actress | 2018 | Rachel
Best Supporting Actress | 2018 | Rachel
Best Screen Couple | 2018 | Rachel
Best Supporting Actress | 2018 | Rachel
Best Actress | 2018 | Rachel
Best Supporting Actor | 2018 | Alessandro
International Competition | 2018 | Sebastián
Best Feature Film | 2018 | Sebastián
Budget 6,000,000 USD
Box Office Collection 8,000,000 USD
Throughout the movie Esti Kuperman (Rachel McAdams) is shown wearing a wig. This wig is called a sheitel and is worn by some Orthodox Jewish married women in order to conform with the requirement of Jewish law to cover their hair.
Rachel Weisz said, [about costar Rachel McAdams] "We really had each other's backs and that's a form of love, I guess. I couldn't have done this with anyone else."
Rachel Weisz told ScreenCrush in April 2018 that she specifically sought out this role. After spending a career acting opposite male leads, the she wanted to tell a story about female connection and sexuality. What made this project so special for her was the ease of creating chemistry with Rachel McAdams, and how the two shot one of the best sex scenes in years without even removing their clothes. She pointed out that director Sebastián Lelio storyboarded every move of that scene. "Basically in the script he wrote, 'They make love.' And that was it. We didn't really know what it was going to be. About two weeks before we started to shoot it, he presented Rachel McAdams and myself with a storyboard, which had every gesture, like my face; everything that you see in the sex scene, it was storyboarded. None of it was our idea, it was all his idea. So we signed off on it and went, 'Okay, that sounds great,' and had time to think about it. I don't know what you do with that information, but time to process it unconsciously or something. But on the day, I guess we felt safe because we knew what was required of us. We had to hit these points, and then we could abandon ourselves to doing our jobs, which was to feel. It was very vulnerable, very emotional. I've never done a sex scene that's that full of emotion and longing and needing and release and desire. It was the culmination of many, many years of waiting. It was emotional, very emotional."
Director Sebastián Lelio on how he remembers his first encounters with Rachel Weisz and Rachel McAdams: "The first day with both was a milestone. I was nervous because, deep down, I did not know if there was going to be chemistry between them. I was at the end of a restaurant talking to Rachel McAdams and from afar I see Rachel Weisz walking. She sits down and they start talking. Immediately I realized that there was going to be tremendous electricity between them. The fact that they were so different was going to work perfect for the game of attraction and magnetism that the movie demanded. From my perspective, seeing them both was a sort of epiphany. I saw there was a movie, it was going to be vibrant and urgent. I realized that it was going to be tremendously powerful to watch the acting duel between them."
Director Sebastián Lelio on how different Rachel Weisz and Rachel McAdams are: "The first sensation I had when working with Rachel Weisz was that I was facing a force of nature, someone of volcanic personality. On the other hand, Rachel McAdams is very meticulous. She studies a lot and is something like an expert in disguise, hiding behind the wig and makeup. It seems to me that, in the end, [McAdams] handled all the complexities of her character with an unique elegance. They are very different and fit right into the characters, who are complementary and counterparts at the same time."
"Ronit Krushka: Esti, do you think I should go back early? Esti Kuperman: No... no. No, I don't think you should leave at all."
"[first lines] Rav Krushka: In the beginning, Hashem made three types of creatures, the angels, the beasts, and the human beings. The angels, He made from His pure word. The angels have no will to do evil. They cannot deviate for one moment from His purpose. The beasts have only their instincts to guide them. They, too, follow the commands of their maker. The Torah states that Hashem spent almost six whole days of creation fashioning these creatures. Then, just before sunset, He took a small quantity of earth and from it He fashioned man and woman. An afterthought? Or His crowning achievement? So, what is this thing? Man? Woman? It is a being with the power to disobey. Alone among all the creatures we have free will. We hang suspended between the clarity of the angels and the desires of the beasts. Hashem gave us choice, which is both a privilege and a burden. We must then choose the tangled life we live."
