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Showdown | Spacecraft
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Best Effects Visual Effects | 1997 | Douglas Smith
Favorite Actor Science Fiction | 1997 | Will Smith
Best Kiss | 1997 | Vivica A. Fox
Worst Foreign Director | 1997 | Roland Emmerich
Best International Film | 1996 | Roland Emmerich
Best International Director | 1996 | Roland Emmerich
Best Foreign Feature Film rets utenlandske spillefilm | 1997 | Roland Emmerich
1997 | David Arnold
Best Instrumental Composition Written for a Motion Picture or for Television | 1997 | David Arnold
Best Film Editing | 1997 | David Brenner
Best Visual Effects | 1997 | Douglas Smith
Theatrical Releases Electronic Visual Effects | 1997 | Andrea D'Amico
Best Sound | 1997 | Jeff Wexler
Best Achievement in Special Visual Effects | 1997 | Douglas Smith
Best Sound | 1997 | Jeff Wexler
Best Male Performance | 1997 | Will Smith
Best Breakthrough Performance | 1997 | Vivica A. Fox
Favorite Movie Actor | 1997 | Will Smith
Best SciFiFantasyHorror Actor | 1997 | Bill Pullman
Best Visual Effects | 1997 | Douglas Smith
Best Sound Mixing | 1997 | Jeff Wexler
Best SciFiFantasyHorror Picture | 1997 | Dean Devlin
Best Film Editing | 1997 | David Brenner
Best Sound Effects Editing | 1997 | Val Kuklowsky
Best Actor | 1997 | Jeff Goldblum
Best Writer | 1997 | Dean Devlin
Best Supporting Actress | 1997 | Vivica A. Fox
Best Supporting Actor | 1997 | Brent Spiner
Best Performance by a Younger Actor | 1997 | James Duval
Best Music | 1997 | David Arnold
Best Costumes | 1997 | Joseph A. Porro
Worst Screenplay for a Film Grossing More than Million Using Hollywood Math | 1996 | Dean Devlin
Worst Written Film Grossing Over Million | 1997 | Dean Devlin
Best Dramatic Presentation | 1997 | Dean Devlin
Best Performance in a Feature Film Actor Age Ten or Under | 1997 | Ross Bagley
Best Archival Release of an Existing Score | 2011 | Michael Matessino
Outstanding Achievement in Sound Mixing for Feature Films | 1997 | Jeff Wexler
Best Film Editing | 1996 | David Brenner
Best Sound Editing Effects Foley Domestic Feature Film | 1997 | Mark R. La Pointe
Budget 75,000,000 USD
Box Office Collection 817,400,891 USD
According to producer/co-writer Dean Devlin, the U.S. military had agreed to support the film by allowing the crew to film at military bases, consulting the actors who have military roles, etc. However, after learning of the Area 51 references in the script, they withdrew their support.
(at around 1h 7 mins) The scene in which Will Smith drags the unconscious alien across the desert was filmed on the salt flats near Great Salt Lake in Utah. Smith's line, "And what the hell is that *smell*?" was unscripted. Great Salt Lake is home to tiny crustaceans called brine shrimp. When they die, the bodies sink to the bottom of the lake (which isn't very deep) and decompose. When the wind kicks up just right, the bottom mud is disturbed and the smell of millions of decaying brine shrimp can be very, very bad. Apparently, nobody warned Will.
Holds the record for most miniature model work to appear in one film. Model shop supervisor Michael Joyce estimated that more miniatures were used for this film than in any other two films combined. Due to the advances in digital technology since this film's release, most experts believe this record may stand forever.
Dean Devlin said that most of the dialogue in the scenes Jeff Goldblum shared with Judd Hirsch and Will Smith was improvised.
Director Roland Emmerich was notified one day that Robert Loggia was very upset and refusing to leave his trailer. Several days earlier, producer Dean Devlin accidentally suggested to Loggia that he watch Airplane! (1980) for inspiration when he actually intended to suggest Airport (1970). Not familiar with either film, Loggia rented Airplane! and after watching it thought that he had unknowingly been participating in the production of a "spoof" movie.
"[the President briefs the pilots before the final attack] President Thomas Whitmore: Good morning. [PA doesn't work. Turns it on] President Thomas Whitmore: Good morning. In less than an hour, aircraft from here will join others from around the world. And you will be launching the largest aerial battle in the history of mankind. "Mankind." That word should have new meaning for all of us today. We can't be consumed by our petty differences anymore. We will be united in our common interests. Perhaps it's fate that today is the Fourth of July, and you will once again be fighting for our freedom... Not from tyranny, oppression, or persecution... but from annihilation. We are fighting for our right to live. To exist. And should we win the day, the Fourth of July will no longer be known as an American holiday, but as the day the world declared in one voice: "We will not go quietly into the night!" We will not vanish without a fight! We're going to live on! We're going to survive! Today we celebrate our Independence Day! [crowd cheers]"
"Julius Levinson: All you need is love. John Lennon. Smart man. Shot in the back, very sad."
